A Quote by Kevin Eubanks

I really worked with icons in the music business, which really had a strong effect on me. It wasn't just pick-up gigs. — © Kevin Eubanks
I really worked with icons in the music business, which really had a strong effect on me. It wasn't just pick-up gigs.
It's something that you pick up at a history class in college, the idea that history and time is something to which we can't even hold a candle to. We, as human beings, are just a small element in the overarching sweep of narrative history. That really had a profound effect on me, that realization.
I have visualizations where I'm living in a really cool place - probably outside of town - with a really dope studio where I can record music or film things. Just have my own mini production house. That's really the thing I'd love to end up with the most and only do gigs when I needed to and also amass a little bit of a crew around me.
To come out in the music business, you only really get one shot. A lot of people get to play small gigs first, and build up that way, without anyone really seeing them.
What it really comes down to, especially in metal, is that the bass needs to cut through, so you go to the pick for that effect. But when you have a certain feel about the music and really dig in to get a big growl, you have to go with the fingers, because you're not going to get it with a pick.
I don't really do any corporate gigs or I don't really cash in which is a bit silly and much to the annoyance of my family. I'd rather just do gigs that I like and TV shows that I like rather than personal appearances at a nightclub.
The band that changed my life was The Who. It's hard to pick just one album, but if I had to pick the one that really showed me how things could be done, it's 'The Who Sell Out.' They really went to town on that, doing something that no one had ever done before.
Being in the music business requires having a very strong resolve. You must be completely committed to the craziness that will inevitably ensue when pursing a career in music. There is no one who is immune to this. Not even the biggest music icons.
I really hate it when people ask me who my icons are. When your parents are Bianca and Mick, you don't really need any more icons in your life.
I had a drag mom but she didn't really teach me about makeup. She just basically stuck me into gigs. And then I borrowed clothes from her and her drag to play the gigs.
Part of Michael's uniqueness, I think, comes from the fact that he worked with music. He had a tape which he gave me with many different compositions, really eclectic. These pieces of music were sources of inspiration.
I pick up energy really easily. Even if I go to the grocery store, and no one is paying attention to me, I can pick up other people's moods, and it's really intense.
You just have your teammates and yourself out there to pick you up, so just kind of shows you how strong you really can be.
The truth is the music is really an incredible personal part of the movie. When I was drawing the storyboards for Watchmen, I had just gone to my iPod and was grabbing music. It took me about two weeks to really put my playlist together. But once I had it, I kinda just put my headsets on and drew for five months. But that music's the music that's in the movie.
Someone once told me: 'Luck is when opportunity meets preparation'. And that's what I really feel with my music. I've worked really, really hard on it. It was like, 'this is really what I want to do.. what do I have to do to make it work?'
By the time I got to high school, I didn't play anything but baseball because I was on a mission. I really wanted to get a scholarship. I really wanted to focus all my time and efforts on baseball. When I got up to Florida State, God spoke to me very clearly and called me out of that and called me into music, which up until that point had just been a hobby.
I have a really good relationship with my label and with people I've worked with since I was younger. I've always had a really good relationship, with both men and women. I think, for me, the way I face sexism in the music industry is when people are like, "Oh, she must not write her own music." That's frustrating, in a way. But it's cool. I'm mostly just like, "Meh." I'm just doing my thing.
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