A Quote by Kevin Faulconer

As a kid, I got exposed to city government at an early age. I'm sure that rubbed off on me. — © Kevin Faulconer
As a kid, I got exposed to city government at an early age. I'm sure that rubbed off on me.
I'm not a super blues player, but I was exposed to the Texas blues sound while I was growing up, and that definitely rubbed off on me.
I love 'Threepenny Opera'; I was exposed to it as a little kid because my parents, my mom and my dad, had bonded, when they were dating, over 'Threepenny Opera' and introduced it to me, a child, who could barely understand it. But I immediately gravitated even from that early age.
Well, I was always really mature for my age. I'm an above-age reader. I'm not trying to come off like, 'I have a high IQ number. My parents gave me the test.' That's the way I was, I guess. I am still a kid. I love doing kid activities. I'm such a kid, but when I'm on set, I do like to be professional.
I've had enormous luck and enormous pleasure in working in such forms as movies and plays that I loved when I was a kid and I just - because I could always write dialogue, because I always had a sense of how people spoke. And because I had a strong narrative sense; growing up and loving stories, loving novels, I just seem to know how to tell a story and I read a lot, I went to a lot of movies, I went to a lot of plays, and it rubbed off on me. And that's all. It just rubbed off on me.
Louisiana taught me another level of humility. Everyone is so content, not socially content but spiritually. Everyone is happy with who they are and loves their city regardless of what has happened here with Katrina and all the different stories. They have a sense of pride and it really rubbed off on me.
It was always something I knew I was capable of and from an early age my mother was involved in the film industry. She used to work at a production company. So I was exposed to a renaissance period of films in New Zealand back in the early 80's.
I have a lot of land. I bought it because I had a very strong feeling. I was in my early twenties, and I had grown up in Los Angeles and had seen that city slide off into the sea from the city I knew as a little kid. It lost its identity - suddenly there was cement everywhere and the green was gone and the air was bad - and I wanted out.
I was always into playing outside as a kid; being outdoors is just a part of who I am. I owe this to both my parents, who exposed me to hunting and fishing at a young age.
Well, I certainly was exposed to and learned to appreciate the work of great directors early on. As a kid, my mother used to take me to see really interesting arty films in Los Angeles.
I loved doing school musicals [as a kid], I even started at an early age to write little plays for the school to perform. I was not just keen on that, it was during that time, during the school period then from an early age, that I began to dream about acting.
I've always loved 3D. In fact, as a kid, I was exposed to 3D at an early age because my grandfather was a specialist of 3D in cinematheques. And then my cousin put it in 'Science of Sleep' with toilet paper tube cities. But he was a specialist and I always wanted to do something in 3D.
I had assumed that I would age with all my friends growing old around me, dying off very gradually one by one. And here was a plague that cut them off so early.
I have been a believer in the magic of language since, at a very early age, I discovered that some words got me into trouble and others got me out.
American young people have got to understand from an early age that the world pays off on results, not on effort. Not everyone should win a prize no matter where he or she finishes.
I knew at a very early age, about 6 years old, that there was something different about me. But being young and not being exposed to people who had gender dysphoria, or role models that you see on TV today, I didn't know what it was.
I don't know if I was born weird. I think it's just that I was exposed to very strange things from a very early age by my brothers.
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