A Quote by Kevin Feige

We said, as we were developing 'Iron Man 1,' and working on these films, that our characters need to be as interesting out of their costumes as they are inside their costumes, fighting and flying around.
I'd say probably the most expensive costumes I've ever made were the costumes in 'The Planet of the Apes,' because of the research and development that went into them and the amount of layers.
I always like to be somebody scary. When I was little, my mom used to make our costumes. She's really creative and would make us great costumes without having to spend a lot.
We were a family that made our Halloween costumes. Or, more accurately, my mother made them. She took no suggestions or advice. Halloween costumes were her territory. She was the brain behind my brothers winning girl costume, stuffing her own bra with newspapers for him to wear under a cashmere sweater and smearing red lipstick on his lips.
We were a family that made our Halloween costumes. Or, more accurately, my mother made them. She took no suggestions or advice. Halloween costumes were her territory. She was the brain behind my brother's winning girl costume, stuffing her own bra with newspapers for him to wear under a cashmere sweater and smearing red lipstick on his lips.
Someone's going to put the clothes on you, and part of being an actor is wearing costumes. Costumes tell you an awful lot about who you are, so you just, it's nothing.
Figure skating is theatrical, and a part of it is wearing costumes. My costumes were very over-the-top and outrageous for figure skating. But for me, it's all beautiful. Even when nobody else believed they were beautiful, I felt beautiful in them.
I design all of my costumes. I like to go out there and feel like I have contributed to every part of what I do. I choose the music, the choreographer, I've obviously chosen my coach, my costumes - all if that falls under my realm of power, my realm of influence.
As I had visualized, 'Heroine' is shaping up to be a very contemporary film with a different premise and strata. This film, like most of my other films, is a blend of facts and fiction. The film has a larger span, more characters, and costumes... a journey that revolves around an actress's life and the showbiz.
I've been really impressed with 'Supergirl.' It's a great show because it's appeals to DC Comics fans, staying true to the characters in spirit and costumes, and it also appeals to casual fans who enjoy good action, fun storylines and interesting characters.
I find L.A. very interesting, partly because I think something new is forming there, but not in a moment of good fellowship as you might think from all this "diversity" claptrap. It's not as if we'll all go down to the Civic Center in our ethnic costumes and dance around.
In the mid-1980s, there wasn't a representation of gayness on television. Our glitter and our goofiness and our great costumes made in Vegas; the cheekiness and campiness of the show, it turns out little boys who were gay coveted our act.
I went to school for clothing and textiles and thought this is what I was going to do. Then I started working in costumes and literally said, 'I don't know if I can take the actors.'
One of my pet peeves about biblical epics was that the characters' costumes always looked like they're just out of the dry cleaners.
For 'Singin' in the Rain,' I bought most of the costumes - the 'Fit as a Fiddle' costumes and the 'Make Them Laugh' Donald O'Connor outfits and the 'Good Morning, Good Morning' clothes we danced in.
A big part of the fun of working on Superman has been coming up with new characters and concepts to toss in, helping to design their costumes, things like that. And I spent ages coming up with the name 'Fortress of Solidarity,' so I want to get as much use out of it as I can!
I was already in the industry as a costume designer and opportunities to act in films came naturally. I must have designed costumes for over 100 films.
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