A Quote by Kevin Garnett

I'm not a star, man. If a guy came in here and shot you and shot me, we'd both be two dead people. You understand? — © Kevin Garnett
I'm not a star, man. If a guy came in here and shot you and shot me, we'd both be two dead people. You understand?
One fine day, in the middle of the night, two dead boys got up to fight. Back to back they faced each other. They pulled out their swords and shot one another. One deaf cop, on the beat heard the noise, and came and shot the two dead boys.
When I came into the NBA, coaches wanted you to shoot a midrange shot or two before you shot your 3 - you know, to get an 'easy one' first.
The first video I shot for "A Zip and a Double Cup"â€"I have two versions, a remix video and a the originalâ€"because I wasn’t really trying to do anything. I just came home and got kind of high and shot a video in the parking lot. I just shot the video how I wanted to do it and posted it online and the next day it went crazy.
50 Cent is a hero to me because he's overcome so many things. He's been shot nine times and lived. I had a cousin got shot once in the ankle. Dead. I had to go to the funeral. I was mad. Man, you ain't hard! You ain't hard!
I don't get tripped up in technology. I use technology as a tool. 'Oldboy' we shot Two Pro 35mm. For 'Da Blood of Jesus,' we shot digitally. We shot the new Sony F55. It's a 4K camera.
I don't know how many lions and leopards I've shot. I've shot two elephants, which was enough - never again. It's a melancholy and moving thing to hunt an elephant. It's like shooting an old man.
If anybody's getting a shot, somebody's getting a shot against me because I'm the guy to beat.
It's Chiranjeevi garu who gave the clap to my first shot. It was a risky shot. After doing it, I told myself that a star was born. Only later did I realize that it was a flop star who was born that day. I had 10-12 flops for the next few years.
The first time I came to the Comedy Festival some nutcase shot a bunch of people in Tasmania. I thought, 'Oh, that's just Tasmania.' The second time I came, some nut shot up Columbine High School. Now I'm here again, and another nut just shot up a high school in Minnesota. If you can't see the connection between me playing the Comedy Festival and mass murder, you're no good at conspiracy theories.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
When you're in a two-shot together, you can't be the same as when you're both in singles. Try as you will, it cannot be the same as when you're in the shot together. It simply cannot be. It's physically impossible. You're behind the camera desperately wanting to help your colleague. When it's just you, on your own, it can be self-conscious in a way that you're not when we're just talking, you and I, and then all of a sudden it's me and then it's you. The two-shots were probably more natural.
Craig McDean was probably one of the first people I shot with. I shot with him for years with Tommy Hilfiger and a few other jobs. He's just so nice and just a super normal, funny guy.
The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.
Get the kids to understand that they shouldn't worry about who makes the shot, only whether or not the shot is made
In going for the last shot of the game most people wait too long to take the shot. Give yourself a chance to get the first shot and tap the ball in. Your players are normally inside the defense.
I'm not the quickest guy in the world, so I figured if I beat a guy off the dribble, I kind of want to get my space and get my shot up fairly quick - not rush my shot or anything, but just get to my spot where I can make it and they have no chance of contesting it.
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