A Quote by Kevin Griffin

I have about four different endeavors I'm going after right now. They all excite me in different ways. I'm all about keeping as many irons in the fire as possible. I'm writing music, trying to write a book (aren't we all?), putting a festival together, speaking... It keeps life interesting.
It's about... my only strategy I've ever had in my career is to do as many different types of roles as possible, as many different types of genres. It keeps the fire in my belly.
What shocked me was three different anti-prostitution feminists asking me to justify that I had been a sex worker, to prove it. That either I hadn't done enough sex work by their standards, or I hadn't done the right kind in order to have the right to speak about it. I couldn't understand them. I'm not speaking for you. I'm not speaking "for" anyone. I'm trying to put together this picture of the different forces that are producing a result in the lives of sex workers. You can't contest the fact that tons of people are going to jail and experiencing violence.
My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works.
There are so many different ways, most of them helpful and legal, to get yourself into a state of mind where writing is possible. It's going to be different for each person.
I love that "furious and gorgeous barrage." That helps me see the relation between the introduction and the book's final section, where writing about a fire (and about the attempt to understand the event), also becomes an attempt to understand how writing might get closer to the fire, in so many ways.
Fashion is more than just how many colors and patterns you can put on at once. Being a great dresser is not necessarily about the colors you put on. It's about putting things together in the right way and then trying different things.
What makes a book unique isn't always about having one big grand new idea. It's about combining many different ideas in new and interesting ways.
I remember as a young child, during one of my frequent trips to the local library, spending hours looking at book after book trying in vain to find one that had my name on it. Because there were so many books in the library, with so many different names on them, I’d assumed that one of them — somewhere — had to be mine. I didn’t understand at the time that a person’s name appears on a book because he or she wrote it. Now that I’m twenty-six I know better. If I were ever going to find my book one day, I was going to have to write it.
The process for writing a picture book is completely different from the process of writing a chapter book or novel. For one thing, most of my picture books rhyme. Also, when I write a picture book I'm always thinking about the role the pictures will play in the telling of the story. It can take me several months to write a picture book, but it takes me several years to write a novel.
But being able to talk to so many patients from so many walks of life gives a tremendous window into people's lives. This is not to say I want to write about individual patients, but I think that after listening to the concerns of people who are so different from me, I can more realistically portray characters who are so different from me.
Trap music to me isn't just a sound. If we're talking about what I think trap music is, I couldn't say that I created it or no one created it, because if you were living the same life that I was living and you're speaking about it, we just speaking about our endeavors in that world.
There's something refreshing about going to work with a different group of dancers. There are different ways of moving, different ways in which the institution functions. There's a contrast from place to place, so the variety and the experience of working in a different place feeds me.
That's tangent, but I like the strategizing and thinking about how things are going to fall and thinking of different ways to engage with fans. Ultimately, the goal is for the music to be heard by as many people as possible.
I feel like my music has so many different things going on. I've always worked with many different producers. And a lot of times, each of them has a different thing that I really love about what they do.
There's a variety and depth to the song topics I get to write about in children's music and books: being able to write about things I wouldn't normally write about, like a disappointing pancake, or monsters or opposite day is really different than writing about heartbreak and relationships.
I feel more like a creative artist using photography because there's - the digital work is so interesting now. It's come to that. I have had many different stages of photography - there are many different ways to take photos. But I feel now I'm in that stage of my life where I use the camera, you know, in that way.
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