A Quote by Kevin Hart
So unless we form some kind of adequate relationship to death, we're never going to live properly, and if we think of it purely as a medical thing, we have reduced life. We should think of it as some sort of mystery which we can participate in now, not something to be pushed off to one side till the last moments.
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I think if you're in a committed relationship, unless you have some sort of an understanding, monogamy is something that should exist.
The writer’s job is to write with rigor, with commitment, to defend what they believe with all the talent they have. I think that’s part of the moral obligation of a writer, which cannot be only purely artistic. I think a writer has some kind of responsibility at least to participate in the civic debate. I think literature is impoverished, if it becomes cut from the main agenda of people, of society, of life.
You might think, 'I've got time to follow my dreams.' You don't have time. Life is short. The current life expectancy is 24,869 days. While some of us will live more days and some fewer, either way you have only a precious number of days to live this life, and so you do not have time to put off your dreams. It is now or never. If you don't do it now, you will keep putting it off, and you'll never do it. The time is now!
Sacrifice doesn't really exist on a national level anymore and that's a pretty new thing - most people aren't engaged nationally in some form of service and that changes the way you think about people in your country; you kind of think of them at a distance. And so there's that shift away from some sort of sacrifice - thinking of yourself as the most important thing in the world versus thinking of yourself as some sort of a whole.
The religious man, the mystic, tries to explore the mystery of death. In exploring the mystery of death, he inevitably comes to know what life is, what love is. Those are not his goals. His goal is to penetrate death, because there seems to be nothing more mysterious than death. Love has some mystery because of death, and life also has some mystery because of death.
For my 21st birthday, I think my mother wanted to give me a watch, or something, you know, some kind of traditional thing. And I said, "Well, if you're going to buy me something, there's a Gibson Melody Maker guitar advertised in the paper for 60 dollars. Do you think I could have that?" And I think that she was very disappointed that at 21 I was still messing around with that sort of thing. She didn't understand what it was all about. But now she understands it, and likes it.
I think if a physician wrote on a death certificate that old age was the cause of death, he'd be thrown out of the union. There is always some final event, some failure of an organ, some last attack of pneumonia, that finishes off a life. No one dies of old age.
If death disappears there will be no mystery in life. That's why a dead thing has no mystery in it, a corpse has no mystery in it, because it cannot die anymore. You think it has no mystery because life has disappeared? No, it has no mystery because now it cannot die anymore. Death has disappeared, and with death automatically life disappears. Life is only one of the ways of death's expression.
I think death is not simply the last few moments of life, death is something that runs throughout the whole of life. Each of our moments is not only the possibility of affirmation, but it's also we're saying farewell at each moment to something.
As an actor, you always think that whatever job you have is going to be your last. In some way, shape or form, you think you're going to screw it up and you're never going to work again.
I think a lot of us have some form of body dysmorphia... You're looking in the mirror, and you're kind of disassociated in some way. I think a good reminder is to actually, physically touch yourself. 'Ah, okay, this is what my arm feels like. It's not what I'm mutating in my head. I'm not some sort of scary monster.'
I often like to think that our map of the world is wrong, that where we have centered physics, we should actually place literature as the central metaphor that we want to work out from. Because I think literature occupies the same relationship to life that life occupies to death. A book is life with one dimension pulled out of it. And life is something that lacks a dimension which death will give it. I imagine death to be a kind of release into the imagination in the sense that for characters in a book, what we experience is an unimaginable dimension of freedom.
We live in a very mollycoddled society where the slightest bit of discomfort is seen as wrong, but that discomfort is there for a reason. It's supposed to trigger some form of action, some form of change, a realization of a truth - something, and I think the self-help world has you believing that you should be happy all the time.
I don't care what people think of me, unless they think I'm mean or something, but I don't care if they think I'm like someone else because I know I'm not - I'm a total weirdo. I'm not selling a dream; I'm not selling fame like it is some sort of fantastic thing. I'm just trying to sell music and get on with my real life.
If you're an atheist, you know, you believe, this is the only life you're going to get. It's a precious life. It's a beautiful life. Its something we should live to the full, to the end of our days. Where if you're religious and you believe in another life somehow, that means you don't live this life to the full because you think you're going to get another one. That's an awfully negative way to live a life. Being a atheist frees you up to live this life properly, happily and fully
I think all television has to be about relationships and I don't think horror for the sake of it can work unless you're able to ground it in some kind of relationship.
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