A Quote by Kevin Hart

I don't have to change anything. I think that's the secret to comedy. You want to be universal and appeal to everyone. — © Kevin Hart
I don't have to change anything. I think that's the secret to comedy. You want to be universal and appeal to everyone.
I don't have to change anything. I think that's the secret to comedy. You want to be universal and appeal to everyone. You want to put yourself in a position that no matter what you're talking about, everyone can relate to it and understand it, because it's an experience that everyone can go through. That's what I pattern my writing material and jokes after. I'm trying to maintain a level of realness that my fans can appreciate.
Comedy was a secret want, but it wasn't anything I pursued.
This is something which I think this country needs... I want universal coverage! I want everyone in Massachusetts and in this country to have insurance. I support universal health care.
Why should anyone be afraid of change? What can take place without it? What can be more pleasing or more suitable to universal nature? Can you take your bath without the firewood undergoing a change? Can you eat without the food undergoing a change? And can anything useful be done without change? Don't you see that for you to change is just the same, and is equally necessary for universal nature?
I want everyone to know that they can accomplish anything they want at any age if they just be themselves. I want to encourage millions to chase their dreams and to never change. Everyone should also know how to throw a good right hook!
There are some professions that culturally and sociologically take a long time to change, and because of that, there's still sexism in comedy audiences. We shouldn't blame them: I do it too. A woman comes on, and I feel slightly anxious. I'm a woman in comedy, and I do that; I think everyone does.
The adventures of the boy who doesn't want to grow up has universal appeal. We all want to keep something of the child in us.
To me, the producing falls into the same as acting. It requires so much time out of your life, and I take it very personally, I realize. So if I do something, it just has to be something I love and I don't want anyone else to do. When I open projects, maybe something will appeal to me. I think I'm not opening them because I don't want anything to appeal to me right now.
I want to do Indian films based on scripts with a universal appeal.
I think a family is the best way to open up the appeal of a show because everyone has a mother. Everyone has a father. Everyone has cousins or siblings. Everyone's trying to pursue their romantic ideals and their relationship ideals.
I don't know if foreigners will take to my novels or not. It may be that my books appeal only to a particular gender or age group rather than convey a more universal appeal.
Do it [stand-up comedy] because it feels like the right thing to do. Do it because you don't want to do anything else. There is something in you that does not want you to do anything else other than comedy.
I grew up listening to hits, and if I write something I feel, I think that's pretty mass appeal. I'm not very elitist with music. Love is universal; a great melody is universal; it goes around the world; it's not just American. A great song can touch the world.
I find that I'm just drawn to anything that's going to challenge me as an actress. So any time I get a chance to do a little comedy, that's also a nice change for me. Most of the time people think of me as a dramatic actress and singer. And there's a challenge there because comedy is hard. What do they say? "Dying is easy; comedy is hard."
You have to be careful of the pictures you make. You should ask, Will it have universal appeal, will it have an appeal at home?
I think there's this essential human desire to have a unified field theory. Everyone is like, 'I want to unlock the single secret to 'Lost.' There isn't any one secret. There is not a unified field theory for 'Lost,' nor do we think there should be, because philosophically, we don't buy into that as a conceit.
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