A Quote by Kevin Hart

Whatever is on the page is what I'm married to. I'm very prepared. I'm a thespian. I don't like to improv. I don't like to go off course 'cause I think that's where stuff happens. When you stick to the material 'cause it's written so well, that's where the magic happens.
I'm a thespian. I don't like to improv. I don't like to go off course 'cause I think that's where stuff happens. When you stick to the material 'cause it's written so well, that's where the magic happens.
All that happens is the cause of all that happens. Causes are numberless; the idea of a sole cause is an illusion.
As Christians we are not out for our own cause at all, we are out for the cause of God, which can never be our cause. We do not know what God is after, but we have to maintain our relationship with Him whatever happens.
My main goal is to connect with the crowd. I leave room for improv. Whatever happens, happens. When I bring my band with me, it turns into the Craig Robinson comedy dance party.
I think when things get hard with your family, it's really easy to want to isolate yourself. The world is so harsh, so when stuff happens outside, you want to go to your family, but when stuff happens inside your family, you sort of start to feel like, 'I'm alone. There is no place I can go to where just nothing will happen to me.'
To understand what happens now one must find the cause, which may be very long ago in its beginning, but is surely there, and therefore a knowledge of history as detailed as possible is essential if we are to comprehend the present and be prepared for the future.
It happens a lot, but I also think of it as not so much like being abandoned by a director 'cause they're worried about a technical aspect, but I think actually that's my job.
I'd like to think I'm not quite so pretentious as to think my characters go off and live their lives once I've written the final page and switched the computer off.
Improv is more than just spitting out a bunch of funny stuff that's unrelated to the material. You have to stay in character, you have to react and respond as the character you're trying to play. You have to service the story, and I think improv training has helped with my listening, responding, and my audition technique. It's sounds so silly, but it's true. Because not only do you improvise during the audition, but once you get the part, they'll say, "Throw away everything. Just improv this scene. Do whatever you want." Someone could panic if they're not used to doing something like that.
I do like to work on a Marvel method, so if I've got the opportunity, and the writer is happy to do it, I like to have a writer detail what happens on a page, but not saying what happens in every scene.
A writer, or any man, must believe that whatever happens to him is an instrument; everything has been given for an end. This is even stronger in the case of the artist. Everything that happens, including humiliations, embarrassments, misfortunes, all has been given like clay, like material for one's art. One must accept it.
Daniel Boulud told me at a young age, 'Whatever happens to you in your career, you're going to be great - be humble. Just be humble.' And I think about that daily. Like, whatever happens to me, whatever awards we win as a team or whatever else, just be humble.
Buddha says: Remember, you have to do much, but the ultimate always happens when you are not doing anything. It happens in a let-go. PRANIHAN IS the state of let-go. You do all that you can do; it will help, it will prepare the ground, but it cannot cause the truth to happen. When you have done everything that you can do, then relax, then nothing more is left.
I don't have that 'OMG, I gotta get married' thing! If it happens, it happens, but it's never been like, 'Oooo, I need to do that!'
People go to the front page of BuzzFeed partly because they've seen a bunch of things in their stream, and they're like, 'Oh, I like this site. Why don't I go to the source?' I think that happens. But also people are going to look for something to share.
I haven´t written on piano since It Bites. You can tell my songs that I´ve written on piano with It Bites cause they all go like "wrooash", like Old Man And The Angel and Calling All The Heroes and songs like that. It all tends to happen very quickly, I get two thirds of the song within five minutes and then spend rest of the time trying to ruin it in my head, and then I go back to where I was from the beginning.
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