A Quote by Kevin Hart

I've done auditions where the casting director is taking the paper out of my hand in the middle of reading. — © Kevin Hart
I've done auditions where the casting director is taking the paper out of my hand in the middle of reading.
Finally, I was called for "The Office" and I was really lucky, because a lot of the shows that I went out for I would work my way up from, like, an audition with the casting director to the director to the producers to the studio, I'd go through seven auditions, and then they'd give the role to a famous actress.
I always look at auditions as not even getting the job as much as I'm just trying to connect with this casting director so they remember me for next time.
I was modeling while I was in university and my agency said, 'There's this fashion campaign, can you go?' And I didn't want to; I told him I wanted to focus on my acting, but I ended up going, kind of dragging my feet, and it turns out, the casting director for it was the casting director for Lars von Trier's new movie.
My strangest auditioning experience was when I was reading for a TV show, and right when I started the audition, the casting director left the room and yelled at me from the hallway to keep reading.
The most exciting part of the casting process was casting out of Israel, which was a really unique process, mainly done remotely from California, looking at casting tapes.
Allison Jones, a big casting director out there, was like, 'They're casting 'The Daily Show' right now - you should submit a tape.' I remember leaving school to go shoot an audition.
Yes, there was a massive difference between their styles. David is a very technical director and Chris is an actor's director, in the sense of emotion. With David, he's done horror films, so Eclipse is much darker, whereas I found New Moon really light and poetic. I didn't have as much interaction with David because the casting process was already done.
I've done over 100 auditions, but I was lucky to stumble onto the Internet as it was growing. Because in film, people are not looking at casting completely unknown faces as lead roles.
I got started acting by going to auditions that my mom found in the entertainment section of our local news paper. Then, I got a manager and started going out on more auditions.
I've worked with acting coaches, I've been going out on auditions and meeting with casting directors. But I'm not known as an actress.
I usually tape about 99 percent of my auditions at my house. I have a camera and record myself, and my mom reads the other lines off-camera. Then I send it to my agent and manager, and they send it to the casting director, and we see how it goes from there.
I totally heard by chance that they were doing the casting for a James Bond movie, and that one of the auditions was taking place in Paris. So I tried myself to contact every name involved in the movie I could possibly find on the IMDb!
Casting directors I don't think are the best in Mexico at street casting. Whereas, I think, in New York and in L.A., that's more common; not so in Mexico. So it's up to you as a director in a lot of ways to go out and do that.
I did so many interviews and auditions for films, and it was just zilch. Nothing I did impressed anybody! I could just feel it. It was always, 'Okay, thank you, Mr. Lloyd.' Then, out of the blue, 'Cuckoo's Nest' came to cast. A casting director who sent me up for different things over the years sent me up for that, and it just clicked.
I randomly went to a casting session in my hometown in North Carolina, and the casting director introduced me to my manager. I really lucked into it!
Where having been an actor was extremely helpful to me was in casting. That's where I think a director who has acted can really shine, and casting is the most important thing you do.
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