A Quote by Kevin Harvick

We have a great group of people and sponsors around us, and you don't want to send them out as outcasts because you have this newfound success and this new tool of things you can sell.
Any New York group can come to L.A. and sell out every show, but an L.A. group who goes to New York might not do the same because the audience hasn't been introduced to the group.
Ads sell more than products. They sell values, they sell images. They sell concepts of love and sexuality, of success and perhaps most important, of normalcy. To a great extent, they tell us who we are and who we should be.
Talk radio around Boston is brutal, and I think that's part of what goes on is that people as they're driving to and from work start listening to these jerks, and I say jerks, because I don't think they know what they're talking about and they're just serving some things up as controversy so they can sell the show to sponsors.
So many old and lovely things are stored in the world's attic because we don't want them around us and we don't dare throw them out.
I have this problem in the rebirthing community because it's so powerful sometimes, I get thrown out because people want to do things a certain way and they are just not open to new ideas, so they don't want me to come around.
We're not just going to take some songs from a focus group in Nashville where people are sitting around in a circle having appointments trying to write catchy songs so they can sell them to a band like us.
Politics are the same old thing. We elect people, we put them in office, and guess what they do? They sell us out. They sell us down the river, and we pay for it.
The Hindus are not looking for us to send them men who will build schools and hospitals, although those things are good and useful in themselves--and perhaps very badly needed in India: they want to know if we have any saints to send them.
I would have people send me shoes and I had 40 pairs and none would fit in the dorm room. People would come by and be like, "Yo, I've been looking for these shoes." I was like, "I'll sell them to you for $300 right now." I'd sell them, save up $4,000 to $5,000, go to the mall and just buy a bunch of new stuff.
Most companies that are great at something - like AOL dialup or Borders bookstores - do not become great at new things people want (streaming for us) because they are afraid to hurt their initial business.
That's why, to this day, K.I.S.S. can sell out wherever they go... because they sell tickets, and they have that core fan base. You may not hear K.I.S.S. on the radio with a new single today. And they can still sell out anywhere.
I don't want to just sell out shows to young girls who like my movie franchise. I want to sell tickets because people respect me.
I had demos that I'd send out of the songs and I'd get, "Great, can't wait to get in a room and actually play this and work on the album." So, it was good all-around because they knew even though I wasn't with them for some of the shows, I was being productive, which was really important because I didn't want to just sit on my ass. Once I was able to use my hand again, I would go right into it.
One key to entrepreneurial success is to get a great group of people around you who believe in your idea.
The absolute base-level thing that you do as a new screenwriter is send out query letters. Literally, you just say, 'Hi, Mr. So-and-So,' and you give them a one-sentence description of one of your scripts. You send it out to a list of people you found on the Internet.
There's no publicist, no advertisements, and no one's pushing us. If people are buying our records, it's because big brothers and sisters or friends at school told them they should check us out or gave them a record. It feels like a more heartfelt way for things to move around.
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