A Quote by Kevin Hearne

-“Say no more,” Leif interrupted. “I understand. I will simply have to kill them all myself.” -"There he goes again. I’m telling you, Danny Elfman would love to get hold of those lines." -"Not John Williams?" -"If you’ve got some hopelessly overmatched heroes fighting evil and some Imperial types marching, John Williams is your guy. You need a song to make people reach for a box of Kleenex, talk to Randy Newman. But if you want creepy atmospherics and spine-shivering chords to back up your casual death threats, you gotta bring in Danny Elfman.
I've done some scoring in the past, but I want to get into it on a bigger level - a Danny Elfman level.
Alan Cumming was such a fun guy to watch. I remember he has a song in the first 'Spy Kids' movie, and when Danny Elfman came to set, they were working on the song.
Some of our favorite bands are, like, Third Eye Blind and Counting Crows, and stuff like Danny Elfman and Jon Brion movie scores.
Because in both TV and film every story under the sun is being told, and so music shouldn't be restricted to have to follow, like, the John Williams template or something. I love John Williams, but that sound doesn't suit every story.
Danny Elfman, the composer, tells me the only time he thinks I'm happy is when I'm on the scoring stage, and I see the pressure's on him and it's a little off me.
You've got to bring the emotion, and you have to understand that you can't touch other people if you're not touched. You can't move other people if you're not moved. So if you're just giving some frickin talk you've memorized over and over again, you're going to have a flat affect. If you've just got a bunch of visuals on the screen that are leading your talk, hang up your shoes and get the hell out of there.
Danny Williams broke my dream. Iron Mike, for me, was the dream. For many years, I would see Tyson and say, 'Mike, I want to fight you.' He was on his way back, and we were making conversation about a fight between me and him. So I was very surprised and disappointed when he lost.
When I think about him, I think about him as John and John Wick. I think of John Wick being the assassin part of John. I would say that guy has strong will; never gives up; he's kind; and there's honor about him. He's also a man of strength. There are even some vulnerabilities to him. Most importantly, he's good at his job.
I love Glenn Gould. Max Steiner. John Williams. Louis Prima. Benny Goodman. Miles Davis. John Philip Sousa.
Since I worked with Danny Boyle before on Slumdog Millionaire, we have great success and everything. So, when I first got the script and the screenplay of Simon (Beaufoy) and I was reading it, even before the shoot, some kind of sounds came into my mind and I put some stuff [down] and sent it to Danny when he was cutting the movie.
John Farrar, my dear friend and songwriter/producer of most of my hits (he wrote "You're The One That I Want" and "Hopelessly Devoted to You," among others), wrote the song ["I Think You Might Like It"] and it captures so much fun and joy! Having that reunion as well, with John and John - made the project even more special!
Want a happier, more content life? I highly recommend the down-to-earth methods you'll find in 'Mindfulness.' Professor Mark Williams and Dr Danny Penman have teamed up to give us scientifically grounded techniques we can apply in the midst of our everyday challenges and catastrophes.
If you look at all the comic book films that have come since then, in terms of tone, in terms of look, even in terms of Danny Elfman's music for Batman, so many that followed have been inspired by that, specifically. It had a cultural impact worldwide.
Sometimes I'll hear some music in my head or I'll go to the piano and mess around and come up with a tune, or be on the guitar and come up with some chords - or I'll come up with lines, or just some words, or just a sentence. It could be the title of a song. I do that all the time. I write titles of songs a lot. And sometimes I'll end up writing a song that I don't have a title for and I'll say, "Oh, this goes with that title".
Albert [Brooks] was rare in that he could make adults laugh. He was a prodigy. At age 15 and 16, he could make my dad laugh uncontrollably. And whenever we had parties, some of the funniest people of my generation - whether it was Billy Crystal or Robin Williams or John Belushi - would be doing shtick.
Cold hearts are not anxious enough to doubt. Men who love will have their misgivings at times; that is not the evil. But the evil is, when men go on in that languid, doubting way, content to doubt, proud of their doubts, morbidly glad to talk about them, liking the romantic gloom of twilight, without the manliness to say,--I must and will know the truth. That did not John. Brethren, John appealed to Christ.
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