A Quote by Kevin Jonas
In my line of work, you never know how the female fans are going to respond to another girl, but they've always been so kind and so sweet to Danielle, which has been really great.
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Fans are my favorite thing in the world. I've never been the type of artist who has that line drawn between their friends and their fans. The line's always been really blurred for me. I'll hang out with them after the show. I'll hang out with them before the show. If I see them in the mall, I'll stand there and talk to them for 10 minutes.
I never know why shows succeed or don't succeed, which is why I look at it as, 'I'll do the best work that I can', and if the fans and people respond then I'm always really flattered and honored, and if they don't then I'll try and do something next time that they like better. But I have no idea what makes a hit show, I really don't.
I kind of love going to weddings - it's a guilty pleasure. I've never been the wedding-y type girl dreaming about the big day, the dress, but I always cry. Always. Even if I don't know the bride that well, I'm verklempt!
One of the reasons I got into fighting was because I'd never really been in a fight. It's like in Fight Club, the famous line, 'How much can you really know about yourself if you've never been in a fight?'... It's the the clearest mirror you'll ever stand in front of.
I mean, at the beginning of a season you never know how things are going to turn out. You're always going in positive, believing in the work that's been done.
I'm not a great manager; I try to be a great leader. And for me, that's been going through a process of not how to be a great CEO but how to be a great Evan, and that's really been the challenge.
It's just that... working on Green Lantern, I saw how difficult it is to make that concept palatable, and how confused it all can be when you don't really know exactly where you're going with it or you don't really know how to access that world properly - that world comic book fans have been accessing for decades and falling in love with.
It's just that... working on 'Green Lantern,' I saw how difficult it is to make that concept palatable, and how confused it all can be when you don't really know exactly where you're going with it or you don't really know how to access that world properly - that world comic book fans have been accessing for decades and falling in love with.
For me, the Earth had always been a kind of a safe haven, you know, where I could go to work or be in my home or take my kids to school. But I realized it really wasn't that. It really is its own spaceship. And I had always been a space traveler.
I haven't really auditioned much in my career. I've been lucky in terms of the feature work; it's mostly been people that have been fans of mine that have called and said "We have this part, do you want to do it?" That kind of thing. And that's sort of still the way it is right now - I don't really go after features too much.
If it was in my control, Id still be wearing a Red Sox uniform, because its the place I know, I love. All of those fans, Ill always remember. But Im also going to another great place. Im going to a phenomenal city with great tradition as well, phenomenal fans, great organization.
There's always been this strand of filmmaking in Britain which is like socialist neo-realism. That's always been there. I've never been part of that, really; I've been much closer to fantasy.
I've always known when I start a story what the last line is. It's always been the case, since the first story I ever wrote. I don't know how it's going to get there, but I seem to need the destination. I need to know where I end up. It never changes, ever.
The thing that's depressing is teaching graduate students today and discovering that they don't know simple elemental facts of grammar. They really do not know how to scan a line; they've never been taught to scan a line. Many of them don't know the difference between 'lie' and 'lay,' let alone 'its' and 'it's.' And they're in graduate school!
I just noticed I've been writing lots of female-led things. Two of them haven't been announced yet, but the big Greg Capullo book I'm doing is a female-led story, and I'm doing another series with John Romita which is a female-led story as well.
I want to let my fans know that I will not hold myself back anymore. Everybody knows me as "15-Year-Old Little Jessica who was on 'American Idol' and who is this sweet, quiet girl." I am very soft-spoken, but I have gone through numerous experiences, and I want to speak out and tell people what has been going on in my life.
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