A Quote by Kevin Keck

Energy seems to be the more critical of those two variables, because if I'm really feeling the push/pull to write, then I'll make the time. — © Kevin Keck
Energy seems to be the more critical of those two variables, because if I'm really feeling the push/pull to write, then I'll make the time.
There's the push and pull you put on yourself and the push and pull the world puts on you. Most of the time, the world's going to win out, because it's just logical that you should be more successful and more motivated. You can always be more.
I think that the most significant, guiding principle was that we wanted to return to a three-piece live form, whereas we became a four-piece for the last record because the songs had more extensive arrangements and we needed a keyboard player to pull off a lot of those songs. We missed the energy, and more push-and-pull of the three-piece.
[Bernard Leach] was an incredible draftsman, and at the end of breakfast time, for instance, he would push his plate back, and he'd pull an old scrap of paper out of his pocket and a little stub of a pencil, and he'd begin to make small drawings, about an inch and a half, two inches tall, of pots that he wanted to make. And they were beautiful drawings. I really wish I'd stolen some of those scraps of paper, because those drawings were exquisite explorations of his ideas of form and volume in a ceramic piece.
It's so quiet this high up, the feeling you get is that you're one of those space monkeys. You do the little job you're trained to do. Pull a lever. Push a button. You don't understand any of it, and then you just die.
Basketball isn't easy. All my life I've been striving to make myself better. It's a full time commitment. To be the best, you have to work the hardest. You have to chase what seems impossible over and over and over again, because giving up is not an option, and when you feel like you've reached your limit, it's only the beginning, that's when the time to dig deep, to find the courage to push some more, because if you've got the drive, the discipline, and the resolve to do what it takes to make yourself great, then the rewards are endless.
I'm a full-time believer in writing habits...You may be able to do without them if you have genius but most of us only have talent and this is simply something that has to be assisted all the time by physical and mental habits or it dries up and blows awayOf course you have to make your habits in this conform to what you can do. I write only about two hours every day because that's all the energy I have, but I don't let anything interfere with those two hours, at the same time and the same place.
There are two aspects to making movies: One is the feeling of wanting to push myself into stuff that I don't know how to do. Then there's the other impulse to try and earn a living. I want to be careful about not confusing those too much - not that those things can't have a healthy overlap. Plenty of people start out making work that isn't terribly commercial, and then make work that's more commercial but still good. You just want to watch out for that thing where you tell yourself that you're doing your best work when you're not.
My best time to write is right after coffee and breakfast - four eggs because, full disclosure: I'm really a komodo dragon - and that's because then I'm energized but not so awake that the critical voice clicks on, the voice that sometimes says, "Don't write that," or "Man, that sentence is terrible - you should give up and go pet the cats."
My best time to write is right after coffee and breakfast - four eggs - because, full disclosure, I'm really a komodo dragon - and that's because then I'm energized but not so awake that the critical voice clicks on, the voice that sometimes says, 'Don't write that,' or, 'Man, that sentence is terrible - you should give up and go pet the cats.'
I've had to really teach myself that when you're not feeling it, you shouldn't write anything down because you're going to end up coming back and re-writing it later. Whereas, if you write when you're feeling something, when you're really in the streak, then that's when you're going to get your best stuff.
I write two pages - that's all I write. It takes me about an hour. I've learned that's all I'm capable of and to push myself beyond that is foolhardy. It's a very delicate thing, and I will not abuse it. So I write two pages, then I get up from the computer.
If you want to be a serious writer, then you have to write what there is to write about. If you're going to pull your punches and second-guess yourself and not do things because you're worried, then don't write. Stay home and do something else.
I know that one of the things that I really did to push myself was to write more formal poems, so I could feel like I was more of a master of language than I had been before. That was challenging and gratifying in so many ways. Then with these new poems, I've gone back to free verse, because it would be easy to paint myself into a corner with form. I saw myself becoming more opaque with the formal poems than I wanted to be. It took me a long time to work back into free verse again. That was a challenge in itself. You're always having to push yourself.
There have been screenwriters who I'm sure would gladly kill me, because I've been very fast and loose with their work, because I felt like it wasn't up to my high standards. I would push and pull it on set, and make changes all the time. But then when you're working with an original screenplay, my theater instincts kick in, and I suddenly become very keeper-of-the-words.
The way that I'm feeling the shift in movie industry is that women are allowed to be part of the development process. So I do feel like things are changing because I'm allowed to option books or write an original screenplay or direct. Those possibilities are really wide open. I think that males still struggle to write for females, which is totally fine because I don't think I could write a really impactful male role because that's not the life that I lived. So we'll just keep shouting and say we need more opportunities for not just women but people that are just different.
Writing by myself, I spread that out more. I'll spend more time on a song then. I'm more critical about it, because there's no one else in the room to tell me, 'That's really not translating. I'm not getting what you're saying.' So, I'm constantly rewriting it, thinking, 'No, that's fine,' and going back.
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