A Quote by Kevin Kline

But you have to trust your instincts. Because you're not going to try it 20 different ways during rehearsal. You'll try it two or three different ways, maybe, but then you've got five other scenes you're shooting that day. You've got to keep going.
I've got a variety of different sources of news that I follow and every day there's going to be different headlines, different stories spun different ways and different sources that they're going to cite as their facts.
Wes Anderson is a perfectionist, so you have to just be ready to try it this way, try it this way, try it that way, and then try it this way. And then, once you think you've got it all and it's done, then you're going to be called back in two or three months so you can try it that way and try it this way. You've got to give him all of it.
I think carrying your gut, or your instincts, through all the learning, is one of the most important things. You learn to prepare for a part in different ways, you learn to experiment, what you do for the character - you try working in different ways.
In features, we're languid: we shoot one or two scenes over, like, three days. In TV, the pace is so different. You're shooting ten scenes a day, going way into the future or way back into the past. It's complete madness, and I'm just trying to keep up with this really electric pace.
I am definitely going to continue directing, but I am always going to try to explore new ways of making films. It really is possible to make films in different ways.
If you are interested in writing, get out and live your life! Do a lot. See a lot. Keep your eyes and ears open. Pay attention to the different ways people speak. Read lots of different kinds of books. And then try writing in different voices and styles - don't be afraid to experiment.
And it was out in the theaters in two weeks. This is not, 'We're going to develop twenty-five and maybe one's going to get made,' so the first three things I wrote got up on the screen and, good, bad or indifferent, I got to see them on their feet.
Everyone's got advice, everyone's got their two cents. Try to streamline, like, who are the people that I trust the most? Sometimes I call it my board of directors. They're going to challenge you, but they're also going to support you. They're not going to just tell you what you want to hear, either.
I know a movie and a book are two different things and you are going do different media in different ways. No author can want a movie to be exactly like the book because then it will be a bad movie.
I've got a funny old face. Someone described it once, and I think they were being kind, as character. But I know what they mean! I've never been that conventional. I suppose maybe it means that my face can look different in different lights, so I just try and sort of keep it simple when I'm going out, to still look like me.
Try to devote the percentage of time for each club that you're going to be using on the golf course. I like to have two or three different clubs that I practice with, not four or five.
You're always getting a perfect vibrational match to what you predominantly give your attention to. But you've got to make the best of it. You've got to vibrate slightly different from where you are if you are going to improve where you are. You can't keep taking score of where your business is or your relationship is or your body is without continuing to create it as it is. To make improvement, you've got to reach for a different thought.
It's good to go out and entertain these people, and you've got them on the edge of their seat, they're standing up. Then you know that you've done your job, you've entertained them. My way of entertaining them is going out and wrestling. Everyone's got their different ways.
When you have kids, it can be hard sometimes because you've got to find creative ways to spend time with each other. So with 'Lights Down Low,' I wanted to just write about all the things that we do to try to keep the love alive in creative ways, because you can't always go out on a date... but you can make a date at home.
While directing in theater that the actors will - I don't know if it's competitiveness or what it is, but they love to make each other laugh. They love to impress each other in rehearsal. They'll try something for a reaction. But in film, you're very often not all together in the room at the same time. You're shooting one day, somebody else is shooting the next. It's a totally different dynamic.
Philosophy is problem-solving. There's a philosophical problem, and then you try to solve it by approaching it from different angles and seeing what way works. That's what comedy is: you have a topic and you try to just hit it as many different ways as you can.
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