A Quote by Kevin Kline
When you have satire, it has to be real. No matter how outrageous the comedy becomes, you have to believe in the characters.
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My experience is at The Groundlings Theater, where we created different characters and did sketch comedy. And sometimes the characters were outrageous, but they always came from a real place. So even working there, we had to create characters from the people that we knew.
Comedy is very interesting because you can very quickly cross into dangerous territory. I mean look at what happened, unfortunately, (in) Paris a couple of weeks ago. They were making comics - which were really satire - but it offended people. I'm not saying the reaction was justified but there's definitely a line when you're doing comedy or satire and how it might affect somebody. That's the thing you have to watch and I think you have to be respectful of it.
I always try to keep in mind that while the characters in a farce may find themselves in outrageous dilemmas, and may behave in a way that the audience finds amusing, the characters themselves don't have the consolation of knowing they're in a comedy.
life becomes satire in real time, what good is the premiere satire magazine? It might as well just be the newspaper. You could pick up The Wall Street Journal and be like, "Oh, what a funny Onion headline!" And then the editor of The Onion is like, "Huh. I guess you won't be needing me anymore."
If the characters are not alive to me, it doesn't matter how good the sentences are. It just becomes all cake and no frosting.
I'm very observational in my comedy and what I create with the characters that I'm blessed to play. I don't believe comedy needs to be offensive, and I don't believe it needs to be a mockery of anything.
If something is really outrageous, it doesn't matter if it is one culture, or another, it's outrageous.
The comedy really comes from how badly you want these characters to succeed and with a comedy that's often hard.
Ultimately, any character you write - no matter how fantastic or alien - is an extension of yourself. When our characters reflect the truth of our souls and psyches, they become real and compelling. The wonderful paradox is that the characters then take on lives of their own, separate from their creators. That's where the magic comes in.
Even in comedy, you have to be real. It's all about being real. It's how real can you be? That's the challenge. How much are you willing to take on for your character?
It's a one-day story of a guy called Newton Kumar, and the backdrop is election: how the most powerful tool we have as citizens is vote but how we don't utilise it. We really don't give importance to it. It talks about democracy; it's a satire, a black comedy.
No matter how developed you are in any other area of your life, no matter what you say you believe, no matter how sophisticated or enlightened you think you are, how you eat tells all.
It doesn't matter how beautifully a film is photographed. The acting tells your story. It's what people relate to. If you don't believe the characters, it doesn't work.
You never know how much you really believe anything until its truth or falsehood becomes a matter of life and death to you.
'Something Borrowed' is looking like a romantic comedy, but it's a comedy. It shines as a comedy; it's definitely not just about the romance. It's an honest depiction of the struggle between the characters. The comedy aspect will make it shine.
The population increasing, some of it could be in countries we haven't thought of making art in. I've never entertained making comedy in China. Like what world is that? I don't know how they would perceive art or sketch comedy. It's not a matter of intellect; it's a matter of language.
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