A Quote by Kevin Kline

It never ceases to surprise me, the people I get to work with. I'm in a French film with Sandrine Bonnaire? I adore Sandrine Bonnaire. I'm doing a picture for Robert Redford? The Sundance Kid? I have to pinch myself sometimes.
I think what Robert Redford established is amazing; thank god for Robert Redford. He's set an amazing example with Sundance and I hope to follow that in my own way.
When I was younger I saw a movie called 'Butch Cassidy and the Sundance Kid' with Paul Newman and Robert Redford. Those two actors and that movie was my inspiration to want to be an actor.
I remember when we were at Sundance, we were in Robert Redford's screening room, and I had never seen the film look so beautiful or sound so great. It was really big and really powerful, and I had a sense of accomplishment in finishing a project like this.
People think of me in the same breath as Robert Redford and Robert De Niro.
The first person to blow up my fashion consciousness was a 14-year-old girl named Sandrine. She was the most beautiful human I had ever seen.
I never thought I will get to work with Hrithik Roshan. Every time, I have to pinch myself to actually believe that I am promoting my film with Hrithik.
I got so much out of 'The To-Do List.' This is a joke that I say about myself sometimes, in terms of my film career: I feel like I'm always playing the kid in serious adult movies. So, for me, it was so wonderful to suddenly be working with other people my age who were doing this on film.
I did that film just so I could kiss Robert Redford.
Really, what I'm doing is an attempt to continue the best work of the people I adore: Francis Coppola and Scorsese and Robert Altman and Stanley Kubrick and those amazing directors whose work I grew up with and loved.
I met Robert Redford at the Golden Globes because he stepped on my foot. He stepped on my foot as he was walking by, and he was like, 'Oh, I'm so sorry!' And I was like, 'It's all right. Robert Redford can step on my foot.'
I got to act with my childhood film idol, Robert Redford, and that's a gift in itself.
Even with 'Three Days of the Condor,' I wanted to do a thriller. But I was still concentrating on the Faye Dunaway-Robert Redford relationship in that film.
I saw 'Birth' at the Sundance Film Festival with a thousand other strangers, and I couldn't believe that was me in the film. I didn't recognize myself.
I looked at early movies with Robert Redford, and I like how Robert, even though he had that automatic charisma and was a very verbal person, he always played those more silent characters and played within the scene and never overacted.
I do get recognised, but if I'm in a restaurant, I'll get one person noticing me, not the whole place. It is uncomfortable when people try and sneak a picture; sometimes, I don't feel like being seen. But I don't stop myself doing stuff. I go to Barry's Bootcamp and yoga just like anyone else.
Talent has no gender. People are hiring young male directors right out of film school, off of a student film or off of a film at Sundance for millions of dollars. You can do the same with a female. It's not a risk about the work if you respect the film that they made.
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