A Quote by Kevin Kwan

All Americans knew was 'The Joy Luck Club' and children of dry cleaners trying to assimilate. The Asia that I was seeing was a world of people who are incredibly sophisticated, and I wanted to represent that side.
I can make going to the dry-cleaners last an entire day, and the dry cleaners might be 150 yards from my front door. You might find it hard to believe, but I am bone-idle lazy.
I sort of wanted to reveal this other side of Asia: Southeast Asia, where the Chinese have been wealthy for generations and have different ways of relating to money. I wanted to sort of reveal this world to readers.
A lot of my friends are club people. It's not me. It's funny to represent that, because it's not me. I don't fit into a gay club setting. It's just ironic that I represent that somehow.
Doing art at Marlborough, where I went to school, was really quite tough, and I knew that it wasn't the direction I wanted to go. I'd rather show art and give people the joy of seeing it.
There might be more meetings and situations where you're required to represent the country in some way that wouldn't necessarily happen to you if you're a club manager, but other than that, I haven't found any differences in my approach between running a club side and a national team.
I suppose that Heartland, Unknown Soldier and Pride and Joy represent not a quieter side but more of a serious side to my work, something I've been getting into recently.
I saw 'Joy Luck Club' when it came out, so that was early mid-'90s, and I remember seeing it with my long-time collaborator, Mina Shum. We'd just done 'Double Happiness,' and we saw this movie, and we were weeping. Like, shuddering weeping. Weeping more than really the film deserved.
I wanted other people, not just Americans, to see - I wanted to take my images to a global stage. I wanted people to see what I was seeing, 'cause I thought it was really important to see.
For my fragrance, I knew I wanted something sweet but with a different side to it. I have a lot of vanilla notes and bakery shop scents, but then I also have muskier notes that make it a bit edgier. It's fun but also sophisticated.
How do you describe the pride you have for the club you represent, for the people you represent?
I just feel like it's fascinating to me just watching my own family, seeing my cousins have children here, seeing the generations go on, and seeing how people are still very connected to their home, but are actually, of course, Americans too. That sort of a hybrided sense of self is something that I yearn to see more of expressed.
There's a big focus in the security industry on incredibly sophisticated attacks and on very sophisticated threat actors.
He wanted to wake up every morning to her. Go to sleep with his body wrapped tightly around hers. He wanted her to have his child—his children. He knew he wanted to live out the rest of his life with her by his side and when he died, he wanted to die in her arms.
Even in Haiti, I saw John Wayne movies. American cinema has always been the dominant cinema throughout the world, and people tend to forget that. People aren't just seeing these films in California or Florida. They're seeing them in Haiti, in Congo, in France, in Italy and in Asia. That is the power of Hollywood.
Once again it is peaceful at Augusta National Golf Club, after some rather ugly stand-offs in recent years, when the club balked at changing its all-white, all-male membership tradition. African-Americans and female Americans are on the club manifest now along with other golf-Americans, and all is serene once again.
'The Joy Luck Club' is not a perfect film. But, I distinctly remember watching it with my mom - and bursting into tears after the screening!
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