A Quote by Kevin Kwan

Asian literature is evolving with the people. It's always a reflection on what's happening to the culture at large. — © Kevin Kwan
Asian literature is evolving with the people. It's always a reflection on what's happening to the culture at large.
I sometimes get a distorted view of how quickly humans are evolving, because I meet many people who are evolving beyond ego. Then I have to switch on the TV to realize, "Oh, no, it is not happening to everybody yet." But it is happening.
People don't think that bread is part of Asian culture or Asian food culture, but it's quite prevalent in Northern China, and you see it throughout Japan and as you go to Taiwan.
I sense a kind of fear of writing black or Asian characters from non-ethnic writers, who perhaps feel that they don't know the culture and therefore can't write about it. By and large, if there's an Asian character, I might get a call. But if the character is called 'Philip,' the chances are I won't.
Years ago, there was one Asian person in a soap and the entire Asian acting community was going for that role. Now, you can find a few different Asian people, and their character isn't entirely based on their religion or culture: they just happen to be in a soap.
Club culture is always going to be a reflection of youth culture, but I think we're maybe moving into a time when the club is a place where older people can go, too. And it's a place people go to connect to themselves, it's not always about the party. It's also about letting off steam and expressing yourself and connecting to other people.
For people in London, Asian flavors are always part of the culture, more than in New York.
As the Chinese girl, you don't fit in with anybody. It wasn't a large Chinese-American population, so I didn't grow up having a community of Asian friends. Even when there were Asian people, we sort of existed on our own.
We're at an interesting phase of Asian and Asian-American writing, where we might succeed in having readers look at us as creative individuals who write with fury and fire about the world, and in new ways, without having them say things like "I read a really good Indian book," or "That Malaysian fellow writes very well." So I hope by identifying as Indian I can get people who don't usually read "ethnic" or "Indian" literature to read that literature and enjoy it.
I think food culture is always evolving, and there will constantly be people looking both forward and back. That's what makes it exciting.
It's hard to know what [literature] will end up being timeless and what will be something that doesn't translate into the future, especially with the way we're evolving since our culture is changing so fast.
Does people not asking me about Asian American literature mean they don't see it as its own literary tradition? I certainly believe in it as its own literary tradition, because your race plays a great factor in how you are seen by the world, and how you see the world; the fact that I'm an Asian American isn't incidental to who I am as a writer. Where it becomes difficult is defining what, if anything identifiable at all, makes an Asian American book an Asian American book, other than the fact of its creator being Asian. And I'd argue that there is nothing identifiable beyond that.
A lot of 'Star Wars' fans who are specifically Asian never had a character they could dress up like, or they would, and people would always call them 'Asian Rey' or 'Asian fill-in-the-blank.'
I'm definitely more Asian than a lot of people who have never been to Asia. But by blood and by race, they instantly say I deserve to be Asian. I've worked really hard to be Asian, and I think I'm Asian enough.
Culture is a fluid, ongoing process. People tend to look at culture in a fixed time but it's constantly moving and evolving, as is the conversation between Americans and Cubans.
"Culture" is a new phenomenon, I believe. Culture is the new religion. People treat you based upon your culture. You are pushed to describe yourself by your culture: Kurdish or Turkish? Left wing or right wing? Progressive or conservative? Westerner or Easterner? European or Asian? So we have a label ready for you.
I want a movie that 30 years from now, people can look back and see it as a reflection of where the culture was at - as a barometer of the culture.
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