A Quote by Kevin Kwan

Warner Bros. is just this amazing historic studio that does great movies. — © Kevin Kwan
Warner Bros. is just this amazing historic studio that does great movies.
You see a Clint Eastwood movie, and you might not know if it's from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you'd just look at a movie and think, 'Oh, that's a Warner Bros. film.'
Warner Bros. is really open-minded, as far as studios go, when it comes to the types of movies they'll entertain, even with animated movies. It's a great place to be.
Warner Bros. was a great label to be affiliated with. It's the best label out there, and the fact that I was with them for 20 years was just an honor.
And Warner Bros. seems to be pretty much into re-releasing all of their catalog. So there's the Warner Bros. stuff and the stuff that we have control over, we're gradually re-releasing it. Some stuff we don't have control over.
Warner Bros., where I spent pretty much most of my professional life, they continue to make a lot of movies but so many of the studios are pulling back.
One of the things about working for an old school studio like Warner Bros. is that there is an institutional culture and institutional memory, in terms of production design, camera work, and directors who understand how to do this kind of thing.
Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.
I'm a big kid, I'm a kid at heart, so I still love the classic family films, such as the great Warner Bros film 'Willy Wonka and the Chocolate Factory' - not the remake, but the original. It's still one of the best movies, hands down, ever made, and of course that goes back to the ingenuity of the characters and the storyline.
When I was approached by Warner Bros. and DC about the possibility of directing 'The Flash,' I was excited about the opportunity to enter this amazing world of characters that I loved growing up, and still do to this day.
I actually re-signed with Warner Bros. on my own. They've been really good to us and all the people over there are great; they love me and I love them. So I'm just sticking with them.
I would rather be hired solely for my talent, not just to fill a quota. I also don't want to shoot just any studio movie just to say I'm shooting studio movies - for me, quality of the material comes first, and if eventually that leads to a really great studio project, then that's a bonus.
I was a Charles Schulz kind of guy. I didn't read comics books. The Warner Bros. guys were great - Chuck Jones and Friz Freleng.
You need to get in studio; we're excited about the Pay 1 opportunity with Disney because those movies are not just movies. They're amazing family content that get flexed over and over again, forms great loyalty with our subscribers, and it's a real trust brand for parents as well.
I gave up on the big screen. The Witching Hour was at Warner Bros. for 10 years and it just didn't work out.
I got a great kick being in the Warner Bros. studios - that was really cool. I kept singing the 'Looney Tunes' theme song all day. I'm sure they haven't heard that one before.
It's interesting: John Calley at Warner Bros. helped me put 'Alice' together. It was very unusual back then for a studio to support an actress the way he backed and supported me. He even asked me if I wanted to direct the film, which I didn't feel prepared to at that point.
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