A Quote by Kevin Magnussen

I was a welder for about three or four months, and I was lucky enough to get out of it because there was a guy who wanted to support me and pay for my racing. — © Kevin Magnussen
I was a welder for about three or four months, and I was lucky enough to get out of it because there was a guy who wanted to support me and pay for my racing.
In every kid's life, there's about three or four years when you're at liberty, and after that, you have to get a job because you're getting married or you have to support your parents or whatever it is. I was lucky: I didn't get married, so I didn't have to have that responsibility.
I work six months and get three or four with the family. I've stopped racing to get to the red light.
I wanted to make a movie, because the whole life of the movies appealed to me. You work hard for three or four months, then you don't work at all for a couple of months.
I left school when I was 16; then I worked for my father, who was a welder. And I was a welder for three years, you know, welder of fabrication, metal 'cause it was a big industrial town, Sheffield. It was much steel and coal and stuff like that.
Everybody is looking for that chiseled guy. Just because they have a lot of muscles, they think he's the strongest guy out there, this and that. Lucky for me, the skills pay the bills.
We only work four days a week, we only work three weeks out of the month, and we get four months off for the summer. So there's plenty of time for me to spend with the kids.
I didn't really get that good at cutting because I didn't have those three years of gestating and nurturing my skills in the bedroom. I was kind of, like, out and playing in clubs after three of four months, because I was pushy with promoters. But I would just listen to the radio - Stretch Armstrong and Red Alert - and then I would go hang out with Mayhem, who did the WNYU hip-hop show.
Character actors just pile up the credits because you work on a movie for like a few days. It's not like I'm the lead in everything I do - far from it. I'm not spending three or four months on a picture; I'm spending three or four weeks. Sometimes three or four days.
Character actors just pile up the credits because you work on a movie for, like, a few days. It's not like I'm the lead in everything I do - far from it. I'm not spending three or four months on a picture; I'm spending three or four weeks. Sometimes three or four days.
I remember my dad telling me that if I wanted to start racing motocross, I had to get a job and pay for it myself. So I did. As soon as I was able to drive myself to work, I got into racing motocross at age 15.
I became a welder. I was actually becoming an Engineer and I joined the wrong queue. And so I became a welder, without knowing what a welder was.
I keep reminding myself I'm the same guy who was lucky enough to get my break because Roger Daltrey commissioned me to write the songs for one of his earlier albums.
I started coming to L.A. as often as I could, for three months on and three months off, because immigration kicks you out after 90 days.
They had the music being piped right out on the street. I'd be three or four blocks from there and I couldn't get there fast enough because I'd hear old Joe holler them words.
We've got to practice three weeks, get the kinks out, then we've got to practice three weeks with the crew, and then go out for four months. It's just a huge chunk of time out of life.
When I first have an idea, I'll spit-ball it with my husband: he's my beautiful ideas sounding board. I usually have a year deadline from start to finish, so I'll piss about for three months and pretend to get started. Then there's four to six months of actual writing and, after that, submissions, edits, and eventually a finished product.
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