A Quote by Kevin McCarthy

Everybody has a say, everybody has a voice, because everyone that comes to the House had about 750,000 people they're representing . And you want those voices heard. — © Kevin McCarthy
Everybody has a say, everybody has a voice, because everyone that comes to the House had about 750,000 people they're representing . And you want those voices heard.
I love picking people. I started Blackstone, and we had no people, and now we have with our portfolio companies about 750,000 people all over the world. Everybody who is at a senior level has ultimately been picked by me.
It's the people who work hard and earn big that keep the machine tipping for everybody else. If everybody else was equal down the bottom rung of a ladder, nobody would be on the ladder at all because it would break and everybody would fall off backwards. So you need people at the top to help pull those people up from the bottom. You can't take that and swing to the right. You can't have everybody living in the same ordinary $60,000 house because you may as well live in Russia, Bulgaria or some other Eastern block Communist nation.
I think everyone has a story to tell. Part of what I do is help artists find their voice, not only their vocal voice, but their writing voice. Every artist that I worked with who has those records that everyone talks about, they are also writers. I like to say I helped support whatever their writing was so people heard the song clearly.
I am proud to say that the voice of the people of our nation is being heard in this hall and those voices want Donald Trump to be the next President of the United States.
I don't care if Trump has $100 billion. He's earned it. He's had a job. There are ways you can track what he has earned. The Clintons don't want to admit how they've earned their money. They love to brag about their wealth, but how did they get it? Making speeches, $750,000 for one speech from a firm that now has close ties with Mrs. Clinton as a secretary of state and potentially as president? It's $750,000 for one speech.
In Chino Hills, everybody is cool with everybody, so I had a lot of friends. My house was kind of the hang out house, where everybody would come over.
TV is the place that writers want to be. When you don't have a very strong indie market going on, talented writers want to have their voice heard, so they'll go somewhere else, and everyone goes to TV because their voices are heard.
I am not the kind of person that wants to enforce my wants, likes, desires, on everybody else. I have no desire that everybody like what I like. I have no desire everybody say what I want to hear said. I have no desire everybody stop whatever they're doing and listen to what I have to say. I have no desire that everybody agree. No, that's not true. I do wish everybody agreed, but I'm not gonna sit around and force that on people.
You always worry that everybody is secretly talking about you behind your back, everybody is secretly making fun of your voice, your figure, the way that you are during puberty, but it turned out, in real life, everybody was. On movie sets, they were all talking about these things, because they had to.
Politics comes and goes, but your principles don't. And everybody wants to be loved -- not everybody. ... You never heard anybody say, 'I want to be despised, I'm running for office.'
I make films because I am endlessly fascinated by people. I'm fascinated immediately to know about the lives that are going on around me. That is what drives me. And that is because everybody matters, everybody is there to be cared about, everybody is interesting and everybody is the potential central character in a story. Judging people is not acceptable.
Everybody around me was talented and gave everybody talent. Everybody painted. My mother had a beautiful voice. My father was a marvelous drawing-room actor.
Ultimately, if you think about all the youth that everybody has mentioned here in Africa, if everybody is raising living standards to the point where everybody has got a car and everybody has got air conditioning, and everybody has got a big house, well, the planet will boil over - unless we find new ways of producing energy.
For example, I was a White House intern the summer before I dropped out of law school. Everybody knew about it. I'd come home and go to church and everybody would say, 'Oh, my God. Demetri, you're working at the White House.'
For example, I was a White House intern the summer before I dropped out of law school. Everybody knew about it. I'd come home and go to church and everybody would say, oh, my God. Demetri, you're working at the White House.
The bigger the movie is, the more agendas everybody has. It becomes more of a job for everyone, but on these small movies, you're making them because you want to make them. You're there because you want to do it. When you make a small movie, the one thing you have is that everyone is unified. That's what you need. You want everybody to want to be there and be a part of the project. If you can cultivate that, everyone works hard for it.
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