A Quote by Kevin McCarthy

I like to be around people, so I ended up being roommates, right? I had a house. I lived with four guys. — © Kevin McCarthy
I like to be around people, so I ended up being roommates, right? I had a house. I lived with four guys.
I've had times where one of my roommates was moving out of the house in college, and because we were the only black people in that neighborhood, the cops got called, and we had guns drawn on us. Came in the house, without knocking, guns drawn on my teammates and roommates. So I have experienced this.
Honestly, I’d prefer to live with gay guys. They’re the cleanest, and they just take care of stuff. Because I’m always away, coming home to a clean house means a lot to me. Trust me, I’ve lived with a lot of roommates, and straight guys are just kids who don’t pick up after themselves.
Because I'm always away, coming home to a clean house means a lot to me. Trust me, I've lived with a lot of roommates, and straight guys are just kids who don't pick up after themselves.
I had a guitar sitting around, and it just happened to have four strings on it, and I would sit around watching TV and playing it. I ended up writing bunches of songs around four strings.
That's why I'm glad Jesus died when he did. Because if he lived to be 40, he would have ended up like Elvis. He was famous already at that point. If he lived to be 40, he'd be walking around Jerusalem with a big fat beer gut and black side burns going, Damn, I'm the son of God. Give me a cheeseburger and french fries right now.
I had a very peripatetic childhood, so I bounced around. Lived in Ethiopia until I was, like, three or four and then lived between Ireland and London.
I really had the right nose for making the right decisions, in terms of which projects to do and which projects to stay away from. The people that I ended up becoming very close to in my career are the guys who inspire me.
I certainly never doubted the ability for the guys to get together and make good music, but there was so much legal business with the record company that it ended up being like five albatrosses around our neck.
I like candles. It helps cover up for the fact that I have four male roommates.
The other night I came home late, and tried to unlock my house with my car keys. I started the house up. So, I drove it around for a while. I was speeding, and a cop pulled me over. He asked where I lived. I said, "Right here, officer."
When people ask me what I miss most about the game, it's being in the locker room and getting to know the guys. Back in those days, we had roommates. We had to talk basketball and that was a great way to understand the game itself and form those lasting relationships.
I met the pianist Barry Harris when I was about fifteen. He would show me changes, which I had no idea existed. I knew about scales, but I didn't think about chords. I was fortunate in that he lived right around the corner so I'd be at his house almost every day and he showed me about playing melodies over chords. After about three years, I could play some gigs. I worked with drummer Roy Brooks and other guys my age at that time, like trumpeter Lonnie Hillyer. Some of the older guys were Paul Chambers, Doug Watkins and Louis Hayes
When we lived in a society where we had large families that lived together, especially in agricultural societies like my grandfather and father grew up in, the result is you always had family around to take care of you.
It was like a frat house for film geeks, the Pad O' Guys. That's what being at UCLA afforded me. So when one of us had some success - in this case, my pal Fred Dekker - he would reach down the ladder and help me up a rung, give my work to his agent to pass around to see if anyone liked it.
The casting of any film is around 60% of the film, but it's also about the right casting insight. It's a bit like a house of cards, everyone has to match up in a certain way so the whole structure is grounded. So that's essential, and yes, it's about finding the right people and the right constellation around the lead character.
The problem with Antigone is that she stood up to the despot Creon, but in such a way that she ended up dying. So she bought her defiance with her death. The real question I ended up asking was, "What would it mean for Antigone to have stood up to Creon and lived?" And the only way she could have lived is if she had had a serious social movement with her. If she arrived with a social movement to take down the despot, maybe it would have taken 18 days only, like in Egypt. It's really important to be able to re-situate one's rage and destitution in the context of a social movement.
This site uses cookies to ensure you get the best experience. More info...
Got it!