A Quote by Kevin McCloud

I cannot look at modern buildings without thinking of historical ones. — © Kevin McCloud
I cannot look at modern buildings without thinking of historical ones.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
Bath was dusty and a little shabby when we moved here. It did look its age and you felt its history in its streets and buildings and little alleyways. The sense of the past was palpable. There were some bad modern buildings but there was a patina of age.
After World War II great strides were made in modern Japanese architecture, not only in advanced technology, allowing earthquake resistant tall buildings, but expressing and infusing characteristics of traditional Japanese architecture in modern buildings.
Italy is full of historical buildings. And Europe holds a great history of philosophy from Greece until today. I read all those books and see these buildings, and I think of where I stand when I design my architecture.
As time went by we developed a sort of ideology without ever formulating it as such. I've always said that we are documenting the sacred buildings of Calvinism. Calvinism rejects all forms of art and therefore never developed its own architecture. The buildings we photograph originate directly from this purely economical thinking.
I have learned that the state of Israel cannot be ruled in our generation without deceit and adventurism. These are historical facts that cannot be altered.
If you look at landscape in historical terms, you realize that most of the time we have been on Earth as a species, what has fallen on our retina is landscape, not images of buildings and cars and street lights.
There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
Just understand, don`t choose - don`t choose even choicelessness. Simply understand the whole situation: that whatsoever you choose, whatsoever you do, will come out of the calculating mind. It cannot be the real thing. Your mind can only produce dreams, it cannot produce the truth. Truth cannot be produced, nobody can produce it. It is there; it has to be seen. Nothing has to be done, just a look is needed - a look without any prejudice, a look without any choice, a look without any distinctions.
We shouldn't just look at new buildings but at existing stock building because that's an even greater problem than the new buildings being built. The renovation of existing buildings and making them green is just as important as designing new green buildings.
If Christians cannot communicate as thinking beings, they are reduced to encountering one another only at the shallow level of gossip and small talk. Hence the perhaps peculiarly modern problem - the loneliness of the thinking Christian.
London imbued me with an appreciation of the beauty and value of history in general. As it has evolved and grown, the city has created iconic modern buildings that look perfect as they sit alongside ancient ones.
God is like the sun; you cannot look at it, but without it you cannot look at anything else.
I not only think but also look and study things carefully. When I travel around, I look at things carefully, make comparisons of what I see. I don't accept things at face value, you cannot trust what you hear or see. Don't jump to conclusions without thinking.
I used to walk in the burnt up Harlem of the '80s, and I'd look at brownstones that were dilapidated or apartment buildings, thinking 'Whoever designed this and built this did not want it to look like this.' So, I used to visualize one day being able to contribute and build in Harlem.
For 'The Grace of Kings,' I read Han Dynasty historical records in Classical Chinese, which allowed me to get a sense of the complexity of the politics and the 'surprisingly modern' reactions of the historical figures to recurrent problems of state administration.
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