A Quote by Kevin McHale
When a show becomes successful, people want to hire the people on the show for other things, and we would all try to do other things, but we could never end up doing them, so casting directors were just like, 'Enough of them! Don't touch the 'Glee' kids, because you can't use them!'
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A lot of my inspiration comes from the movies and TV, watching other people doing things that I one day hope to have the opportunity to do. The other sides would be my friends and family, people who have supported me and always been there for me. I want to do a good job for them and show them they were right for believing in me.
Whenever we can, we try to talk to students. If I can, I'll invite kids from a school to a sound check and take questions from them. I want to show them it's cool to play the trombone. Kids are influenced by what's accessible to them. It's hard for kids to be introduced to music other than what they see on TV and video.
I guess the things I have always loved are from people who were just being themselves. They were doing these things because they couldn't do it any other way. It was for them.
You definitely want your kids to understand their heritage, but I don't want my kids to just focus on being black. They are people. I don't want them to judge other people or to be judged. I want them to be good people, so good people will treat them accordingly. I preach that to my kids and everything else falls into place.
I don't want people at my shows to come out and say, 'I just saw a cool show.' I want them to say, 'I had fun at the show.' I want it to be a collaborative thing and be part of the audience and have them be part of me. I try to interact with everyone there and have them be equal to me because they are.
One of the reasons why I fought for my roles is that I think there are so many things about them that are just human, but people like to label them as weird or bad or wrong because they're scared of them. I don't consider them bad - they're girls. They're going to make mistakes, but the films show the repercussions and show that they're going to learn. A lot of people are made to feel bad for being sad, so on top of already being unhappy, you're gonna hate yourself for it.
Imagination! My problem is that I have so many ideas, I never have enough time to use them all. Just the other day I thought up eleven things I could do with a flowerpot. Eleven! Three of those things didn't even involve plants.
Successful people aren't born that way. They become successful by establishing the habit of doing things unsuccessful people don't like to do. The successful people don't always like these things themselves; they just get on and do them.
It was a struggle for a long time. My parents were rightly cautious, in the sense that they were like, "We want you to do what you want to do. We just also want you to not have to sleep on an air mattress for the rest of your life." What was beneficial for me was that I did everything I could to let them be a part of my life and show them how seriously I took comedy. This is my way of helping people and contributing something to society, and I'm doing everything I can to be as funny as possible without embarrassing them. They're proud now.
For there is a growing apprehension that existence is a rat-race in a trap: living organisms, including people, are merely tubes which put things in at one end and let them out at the other, which which both keeps them doing it and in the long run wears them out. So to keep the farce going, the tubes find ways of making new tubes, which also put things in at one end and let them out at the other.
When you put yourself out there as an expert and the people you are trying to attract are people who want to do the very show you are doing, guys standing around, sitting around arguing with each other over sports, if you make a mistake that lights up like a flare in the middle of the night. You've just got to correct that or else they're going to say, 'Well, why do these dopes have that show? I can go out there and be just as good as them.'
I'm more likely to not invite someone back for not talking. If someone talks a lot, I can usually shut them up and control them. But with people who don't talk, if they don't really want to talk, they probably shouldn't be on this show, and that's fine. They're talented people with things to say, but sometimes people say what they have to say through other means than arguing.
The same things that we hurray and support in other places, like people like Nelson Mandela, our prisoners were doing the same thing, and they were captured and convicted of the same things. And we should remember them and treat them like the heroes they are.
Frankly speaking, I hate comparisons. Two individuals are doing two different films, playing two different characters: how can you compare them? It is not fair to get into ratings. It really doesn't matter what I think about other actresses; what matters is what the directors think of them when they are casting them in a project, because I think it's the director who's behind a successful piece of cinema.
Everyone used to chuck snails at each other at school, and I used to try and save them. And not only did I get in trouble for it, I got suspended for doing it. For saving the snails I kept about four or five hundred of them at the back of the class -- in Snail Land. We were like six or seven or something, people didn't even realise what they were doing. I had a strange compassion for snails. And the teacher just chucked them all in the trash in the end.
There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
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