A Quote by Kevin McKidd

One of my complaints with American TV characters is that they all have a particular schtick, a hook. — © Kevin McKidd
One of my complaints with American TV characters is that they all have a particular schtick, a hook.
The song is based on a lot of observation and a lot of speculation. But in sort of a pointed way its kind of about Madonna...I think it was a particular time where I was being bombarded with her image on TV and in magazines and her whole schtick kind of speaks to me in that way...like she's going through some sort of problem. It seems she's getting a bit desperate.
Once I have a hook I think has potential - enough to spin out more than a hundred thousand words, then I start turning my attention to characters. Who are these people? Why did this thing happen to them? But the hook always comes first.
I'm an American, but being a black American, my experience is a particular one, my struggles have been particular.
There were so few examples of Asian or Asian-American lead characters on American TV or even in the movies. And the ones that have existed for so long were either stereotypical or offensive in some way, or just not reflective of the lives of people in the community.
I had played many gay characters before, but they were finite - guest characters in TV shows or characters in plays.
I've tried to be inclusive in my '2B' series. Over the course of three books, I wrote African-American characters, a paraplegic character, gay and lesbian characters, a bisexual, Jewish heroine, a multiracial hero, Korean and Chinese-American characters, and a multiracial supporting character.
I am certainly proud to add 'Korra' to the pantheon of TV characters, which is perpetually sorely lacking in multifaceted female characters who aren't sidekicks, subordinates or mere trophies for male characters.
I have no complaints from my characters, be it in 'Commando' or 'Gangs of Wasseypur' everyone on those films was grey.
American TV news is much more sophisticated. I think that American TV networks, it looks like, they invest a lot into news.
To hear complaints with patience, even when complaints are vain, is one of the duties of friendship.
We have a lot of American TV in Australia. I grew up watching 'Seinfeld,' 'The Simpsons' and those prime time TV shows over the years that feature grown-ups and high school kids. We had a saturation of American voices.
There's something rare and wonderful that's very particular to television, and it's when a great cast meets a great show runner/creator with the right set of characters to play. That's what happened with 'Arrested Development.' It happens every so often, but all too rarely on TV.
The biggest difference between British TV and American TV is money. But what money doesn't do on American TV, which I thought it would, is buy you time. You don't get more time. You get more toys.
With those long American TV contracts you think, 'yes, at the end of that I'd be rich.' But at the same time you feel inside you a kind of death, because I enjoy playing lots of different characters.
As a writer, there are times when you have something to say, and yet no particular “hook” upon which to hang the missive you are burning to release.
As a writer, there are times when you have something to say, and yet no particular 'hook' upon which to hang the missive you are burning to release.
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