A Quote by Kevin Morby

On my first European solo tour, I was selling maybe 50 tickets a city until I showed up in Paris and heard the show was already at 150 tickets, which, at the time, really blew my mind and took me by complete surprise.
When I went to Europe for the first time, I went to Paris and then to Venice. So after Paris, Venice was my first great European city, and it just blew me away.
I'll be selling tickets for my next tour exclusively through Jonah Lehrer. Make sure to pay cash.
I pay parking tickets. You know, you can try to give 50%, but then they charge you all those penalties! Seriously, I have gotten many, many, many tickets in my life.
I don't have a lot of recreation time. I've always been under the assumption that if you're selling tickets you need to work. The kind of success that's happened to me maybe only happens to one comedian every twenty years and so I'm on the road constantly.
I was in New York, I went to a Yankees game and I called and said, 'Can I get tickets to the Knicks game?' They said, 'We can't get you tickets no more to the Knicks game.'... They had tickets, but they said they didn't have no tickets for me.
We have a lot of secondary market problems in the U.K.; it's really bad there. And lots of artists are starting to participate in it, because they put the tickets up at a certain price, then the tickets get marked up by the secondary sellers, and someone else gets twice as much as you.
Look at the shows that are really successful on Broadway. They're musicals. They're things that a woman will pick out the tickets for, or a man will buy the tickets with a woman in mind. It's a date. It's boyfriend-girlfriend, husband-wife. That's what the theater in New York has become.
I think it took me until - my twenties were really a time of exploration and experimentation with different groups and different types of music. Then I kind of developed the sound, which first appeared, I guess, on my first solo album 'Englaborn,' which came out in 2001.
Selling tickets at the Bing Theater at LACMA was my first job in L.A.
I heard heart wrenching stories about fans who had tickets for the 1980 show in Montreal, the first concert that didn't happen, when my dad died. They'd be in tears. It was hard to deal with sometimes.
People are not really that forgiving when they pay for tickets to come see you and you don't show up.
My dad bought a Beatles tape when I was in fifth grade, and that was the first time I ever really - I mean I was into music, but that was the first time it really blew my mind. When I heard the 'Red Compilation,' which wasn't like a proper album, I thought, 'music was more than I had ever thought it was before.
My dad bought a Beatles tape when I was in fifth grade, and that was the first time I ever really - I mean I was into music, but that was the first time it really blew my mind. When I heard the 'Red Compilation,' which wasn't like a proper album, I thought, 'music was more than I had ever thought it was before.'
I cultivated this fan base that I really didn't really understand or appreciate until I put my first headlining tour up for sale. 500- to 1,000-capacity rooms weren't an underplay for me at the time. I'd never done a tour before!
My parents took us to a lot of concerts. We started asking for tickets for birthdays. My sister asked to go to Madonna's 'Like A Virgin' tour. I went too. I loved it!
I recall us selling out L.A.'s 5,000-capacity Gibson Amphitheatre and flying straight to Germany to play a 300-capacity room where we'd only sold 120 tickets. This was when 'City Of Evil' was really taking off in the U.S., but it seemed like Europe was less interested.
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