A Quote by Kevin Nealon
The good thing about 'Weeds' now is, I get to play some dramatic parts in that as well.
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I was very lucky once I got started with a career. I happened to get some really good parts to play with some really good people to play with.
I don't like weeds! My father made me mow weeds and cut weeds when I was a kid. I've hated weeds ever since I was 12 years old. I'll never go in the weeds! I'll never gonna take you in the weeds.
The great thing about animation is it's like the radio. I used to do lots of radio when I was a kid, and you get to play parts you would never get to play ordinarily.
People can have so many ill-conceived ideas about me based on the parts that I play. I've had guys, when I've been single, come out of the woodwork to date me and I've found out very quickly that they were expecting some kind of whirlwind, some dramatic crazy person - and that's just not me.
One thing is a fairly simple and straightforward thing. I don't long to direct. I really want to get some good parts.
It's going to be intense. This is what we played the whole tournament for, we had to play an extra game but I think that's a good thing, we got some line combinations working together fairly well now.
When some people get parts, they feel they can now relax, but for me it was always the opposite. Sometimes before I do a movie or before I act out a scene, I may not sleep well the night before. If I don't know what the scene is about, I might get all worked up.
Those moments of play that we do get in meta-life, like playing music, or golf, or word-play, or flirting - those are some of the best parts about being alive.
The funny thing about nationalism is that there are two sides to it. Some parts of it are beautiful, but there's an ugly side as well.
I want to keep doing different things. I'd like to do a more personal, dramatic movie next, I think. But as long as it's about characters and good writing and good parts for actors, that's what's important
I want to keep doing different things. I'd like to do a more personal, dramatic movie next, I think. But as long as it's about characters and good writing and good parts for actors, that's what's important.
As long as they keep offering me some good parts and so forth - there are some parts out there that fit me pretty well - I'll keep going for a while.
When I weed, I like to get off into my own head. For one thing, my wife plants and I have trouble telling which plants are weeds and which are my favorite plants. So I tend to hop around and grab the weeds that I know are weeds. So I don't weed all that linearly. I tend to weed haphazardly.
You see where the fighter jets are so old that they can't get parts anymore. They have to go to plane - airplane graveyards and museums to get parts for our fighter jets that we're currently using. They don't make the parts. And you have other countries that have brand new equipment. And in some cases, we sell them the equipment. The whole thing is ridiculous.
When I'm editing, I try to bring out some dramatic structure. I think it is about theater in some way; it is a little play.
I'm very serious about becoming a dramatic actor. I don't want to play cameo parts walking on as Carl Lewis the athlete. I want to go on stage or screen and be taken seriously.
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