A Quote by Kevin Nealon

I was never really an impressionist. If there was somebody within my range, maybe I could work on it and do a little exaggeration of them - which I think is really the way to do an impression.
People do think I was a one-hit wonder, that I'm maybe not the kind of singer that I can really be - that impression is there. I have to work really hard to break down those walls.
Maybe it's because I'm a little naive, but I do like to think that there aren't really very many truly bad people in the world. I think that everybody has their reasons for what they do, and if you really look through their eyes, you could probably understand them.
[Attorney General] would have to be something where I felt he really needed me and not that I'd be the only one that could do it, but maybe that I could do it a little bit different or a little bit better than somebody else.
To a certain extent everybody has a certain sort of way of being a persona that they learn how to be when they're really little. They figure out that if they're really funny, or really pretty, or if they work really, really hard or are really smart, then that's what's going to get them by. That is what is going to make people like them.
I never look back and think too much about my films. I've done some work I've been proud of over the years but which of them is my favourite I really don't know. I could say the last one. I've had little jumps in my career like Unforgiven possibly.
I never noticed competing with other generations. There's competition within your own generation, but that competition is good. Maybe you're annoyed that somebody's getting more money than you are, but what's really annoying is if someone's painting a better painting than you're making. So it's something to think about and work toward and stay focused on.
One could say, with a little exaggeration, that the persona is that which in reality one is not, but which oneself as well as others think one is.
I think that most people have experienced a relationship in their life - whether it be romantic, friendships, family, whatever - where there's somebody who you just really, really idolize. You just want them to feel the same way about you so bad that you kind of miss the red flag that maybe this person isn't super healthy for you.
Playing those one-dimensional characters is actually really difficult because you're not dealing with somebody you would ever really know. I don't think anybody here could imagine actually knowing Cindy Campbell from 'Scary Movies.' So, in a way, your job is so much easier when you're playing a person that you really understand and that seems very relatable. I think I was coming to a place in my career where I was like, "I'd like to do something a little more rewarding."
Having a tradition is a great thing to work within, and maybe today [it] is the only way to really land musically dramatic work.
I haven't really heard much that's impressed me the way it was when I first heard Ray Charles or somebody like that. That was really an impression.
If I were to look back on my work, I think I accomplished probably about 70 to 75 percent of what I could have. Maybe 60 percent. Somewhere in that area; two-thirds of what I could have accomplished. If I had been a really dedicated person, and really worked hard, I think I could have accomplished more.
I never thought of myself as an impressionist, so when I do audition for voice-matching things, I have to work really hard and do a lot of listening and trial-and-error.
I really act for myself. I really love it. I don't think there's a way that you could handle these schedules, all of the actual work that goes into it, if you don't really, really love it.
I do craft songs, that this is designed. It's almost like the song was written to produce this desired effect. And it probably really works for somebody. It's maybe somebody's favorite tune, and it's really hard to come down on that, even if I feel a little embarrassed for it. Because some songs are written like a commercial, and that can be a little strange.
the older I am, the more I refuse to treat my work as therapy and the more I think it's less honest to do that, less about acting. When I was younger, I sometimes used personal things in creating characters, to the point where I thought maybe it was a little bit dangerous - at least for me. But I don't feel that somebody can only be good in a character if they are really becoming that person or really suffering.
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