A Quote by Kevin Nealon

I really enjoyed working on the 2009 film, 'Aliens in the Attic,' because it was shot in New Zealand and I got to visit there for the first time. — © Kevin Nealon
I really enjoyed working on the 2009 film, 'Aliens in the Attic,' because it was shot in New Zealand and I got to visit there for the first time.
People just don't like me, and it's unfortunate, because I'm trying to get people to come down and visit New Zealand. I'm an ambassador for New Zealand... it's kind of sad.
I've got a New Zealand film coming out here called Out of the Blue. It's a very heavy story, and it's the first time I've played a character who is alive.
There was one film that I really wanted. This was a long time ago; it was a film called 'Fracture.' Ryan Gosling ended up doing it with Anthony Hopkins. It wasn't a giant box-office success, but I really enjoyed the script, and I enjoyed the character. I got pretty close and was kind of disappointed it didn't go my way.
So I'm working on another historical novel. This one's a Franco-New Zealand novel, and it takes place at the time of the Rainbow Warrior bombing in New Zealand.
It's hard to pick. I mean, I think the one that is most emblematic of the collaboration that occurred is "We Know The Way." That's the first song we wrote for the movie [Moana]. We actually got it written that weekend in New Zealand, so we're all in New Zealand, we're all absorbing this culture, and Opetaia [Foa'i] brought it in.
I love New Zealand. Every time I'm in New Zealand someone makes a joke about it being mostly sheep, which I think is unfair, because it's mostly nice people. It's mostly nice people and really wonderful scenery.
I've tried to divide my time between the US and New Zealand, but it's difficult, and I suddenly realized that I like acting here in Los Angeles anyway. Because when you first come here; especially from New Zealand, you go, This is the ugliest, nastiest, grayest, smoggiest town in the world, and then your scale of beauty adjusts and suddenly you think, Oh, isn't it beautiful, not too much smog today!
'The Piano' is a romantic drama that really made me want to see New Zealand. When I finally did it was every bit as jaw dropping as it looked in the film. It's so virgin and green, it's like God said 'lets try again' and he got it right this time!
In Australia and New Zealand, and New Zealand especially, I always find everyone is so nice and friendly. It's one of the few places that I remember visually, like I remember where I stayed and my surroundings - and that's a good sign, because I've got a terrible memory. I'm looking forward to it!
I'm always going to be a New Zealand fighter. I'm a Kiwi, of course, and I've still got my New Zealand passport.
I was living in the U.K. I was back in New Zealand for the New Zealand Music Awards, which is like our annual New Zealand GRAMMYs.
Coming from New Zealand, all the music I listen to is not made by New Zealanders. People never come to New Zealand to play a show because it's in the middle of nowhere.
As soon as I got off the plane in L.A., I heard they'd cast the 'Lord of the Rings' trilogy and that it was all being shot in New Zealand! That was pretty ironic.
I'm not going to head off and do a Marvel film. So if I don't do a Marvel film, I don't have any other choice - I've got to go make a small New Zealand movie!
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
Every time we visit my sister Karen in New Zealand I spend the next two months Googling properties and dreaming of escaping the British winter.
This site uses cookies to ensure you get the best experience. More info...
Got it!