A Quote by Kevin Olusola
I want to be what Kenny G. and Carlos Santana were, but for this day and age.
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The story of Rod Stewart, the story of Carlos Santana is so inspiring to young musicians because it shows in this trendy business how long a career can last. It shows how you can soar back, regardless of age.
I'm never gonna be a Carlos Santana - an instrumentalist. I just like songs. It's three minutes of something that can be very powerful.
I prefer for a woman's most private of areas to have as much hair as Carlos Santana's entire band, head to toe, circa 1972.
I was inspired to play electric guitar from listening to a lot of Carlos Santana, Stevie Ray Vaughan, and B.B. King, and that's always been the kind of music that I gravitate toward.
I'm lucky that my family is musical. Music was encouraged. So when I saw Carlos Santana play and decided to really pursue the electric guitar in earnest, it was OK. My parents knew I was going to go for it.
I'm not a very spiritual guy when it comes to music. I remember hearing Carlos Santana say that angels helped him write his songs. And I thought, 'Really, angels?
I'm not a very spiritual guy when it comes to music. I remember hearing Carlos Santana say that angels helped him write his songs. And I thought, 'Really, angels?'
I have beautiful, beautiful clothes, designed by my bachelor boy son, Kenny. Kenny has a big following as it is, and even Lady Gaga has asked Kenny to design dresses for her. But Kenny isn't very keen on, well, shall we say, extreme women. He likes someone that women all over the world can identify with.
'Masquerade' is the autobiography of Wyclef Jean. A lot of people know me through my work with Carlos Santana or Destiny's Child, winning all those Grammy Awards, but you do not know what is going on inside me.
I got a lot of influence from my father, honestly. He'd take me in his car. I'd hear Carlos Santana. I'd hear Queen. I'd hear all these Turkish people, like, bands that he grew up listening to. He was in a band as well.
The first album I ever bought was Santana's 'Abraxas.' Obviously, I was a huge fan of Carlos because he had the unique guitar sound, and he had incorporated a lot of the percussion and really, really fun rhythmic bass lines in there, too.
I got to work with [Carlos] Santana, who's been my idol forever. When I was 18, I got up with him in Australia and jammed with him. That was an amazing moment because I got up in front of my hometown crowd.
In today's day and age, where so many kids are taught to specialize so early, I want to show them you don't have to - at a young age, high school age, college age and hopefully a professional age.
I listen to Kenny Loggins, like - I want to be Kenny Loggins.
What I learned from people like Carlos Santana is that you cannot get too happy after working for five years in the industry. It takes years and years, and I learned to keep a straight head and keep on working harder and harder.
In 1942 Cachao wrote a tune for Arcao, 'Rareza de Melitn,' with a memorable catchy tumbao. In 1957 Arcao recorded a reworking of it under the name 'Chanchullo'; and in 1962 Tito Puente reworked that into 'Oye como va,' still with that same groove. In this form, audibly the same, it powered Carlos Santana's multiplatinum 1970 cover version, close to three decades after Cachao first played it.
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