A Quote by Kevin Olusola
I know a lot of people think a cappella is this cutesy, kind of novel thing.
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A lot of people, I think, harbor some kind of ambition to write a novel - they say, 'One day I'm going to write a novel,' and they maybe find the first three pages quite easy, and then they hit a kind of brick wall, and they think that that brick wall means that they're not a writer.
It's funny to be discovered by a lot of people who didn't know you before. People always used to say, 'Do you shop at Home Depot?' or 'Does your kid go to such and such school?' They want to know why they know me, even if they don't know my name. I don't think that's a bad thing, by the way; I think it's nice to be kind of anonymously famous.
Now that a cappella is sort of coming to the forefront of the music world, I think people are starting to realize that it's a well-crafted art form, and not just a cheeseball novelty. That being the case, my hope is that a cappella groups, new and old, will get the recognition they deserve.
Wonderful thing about novels is that sometimes we read a novel and we know the person in the novel more than we know people in our own lives.
I think 'Gatsby' is hobbled, in part, by its status as a Great American Novel. People kind of roll their eyes before they've even opened it, treat it with a 'been there, done that' attitude. I know I did. It took me years to re-open the novel and see how much I'd missed.
The process of writing a novel is getting to know more about the novel until you know everything about it. And it's been described as a kind of dreamlike state where you're letting the novel make its own shape, and you're putting into it the pleasure of creation, which is intoxicating.
Uh, I think so many things have happened in the mainstream that definitely brought awareness and attention to a cappella. The 'Pitch Perfect' movies, 'The Sing-Off' - I mean, the college a cappella scene definitely has become really hot, which is definitely wonderful.
I know a lot of a cappella groups, but none of them are doing backflips while singing, for sure.
White people think one thing and black people think another thing about the same event. And we automatically, before we really know what happened, kind of pick our sides.
' Daisies' is about a guy touching dead people and bringing them back to life. It's kind of morbid, you know. But there's a love to it. There's a kind-heartedness to it that I think makes it - I don't know; it's a good thing to put out there in the world, so I'm glad people responded.
The idea of forever is kind of ridiculous, which is unfortunate because it's kind of a nice thing to say, you know. I think it softens the blow of mortality and having to say goodbye to everything you know and everyone you love and all that kind of thing.
The idea of forever is kind of ridiculous, which is unfortunate because its kind of a nice thing to say, you know. I think it softens the blow of mortality and having to say goodbye to everything you know and everyone you love and all that kind of thing.
I think the thing about film is, as it gets proved by a lot of young filmmakers now, that the medium will just go on reinventing itself, and so you just hope to be a part of that and not a part of some kind of endless regurgitation or 'Here I am doing what you know I do' kind of thing.
I'm never interested in writing a kind of neutral, universal novel that could be set anywhere. To me, the novel is a local thing.
'The Turnaround' isn't even really a crime novel. But you need conflict to make a novel, any kind of novel, and I don't know any other way to do it than crime.
I think what Laura Linney was saying about teaching her all the lessons as a child actor, right, that's a whole ball of wax. That's a really mixed bag of stuff. I look at so many people that I knew personally or didn't know personally but who have ended badly, have died young, have been destitute - there are a lot of bad child-actor-gone-wrong stories, a very high percentage, but I think the thing about it is that a lot of those are Hollywood stories, and you don't have that same kind of a thing in the theater.
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