A Quote by Kevin Parker
It's funny how concert dreams are such a recurring thing among musicians. It's like how everyone has that dream of their teeth falling out? Except musicians have this dream of just standing onstage and there being all these people out there, and for some reason, the song isn't starting.
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I know how sad it is when you won't be able to realize your dream.
But do you know what's great about dreams?
You can always have a different dream. Just like the way
you dream every night in your sleep, you can just dream another dream.
You're not throwing your dream away, but having a different dream.
That's what noir feels like to me. It feels like some kind of recurring dream, with very strong archetypes operating. You know, the guilty girl being pursued, falling, all kinds of stuff that we see in our dreams all the time
That's what noir feels like to me. It feels like some kind of recurring dream, with very strong archetypes operating. You know, the guilty girl being pursued, falling, all kinds of stuff that we see in our dreams all the time.
There is no Croatian dream. There is no European Union dream. There is no Chinese communist dream, except maybe to get out. But there is and always has been an American dream. And the dream is possible. The dream can become real.
The odd thing about recurring dreams is that, no matter how many times you dream the same thing, it always takes you by surprise.
All I know is, I play the guitar, beat it out, and sing a song that has some damn resonance that we feel as musicians. We send it out and people get it, and that's a good thing.
It’s funny—when people call you “shy,” they usually smile. Like it’s cute, some funny little habit you’ll grow out of when you’re older, like the gaps in your grin when your baby teeth fall out. If they knew how it felt—really being shy, not just unsure at first—they wouldn’t smile. Not if they knew how the feeling knots up your stomach or makes your palms sweat or robs you of the ability to say anything that makes sense. It’s not cute at all.
People don't get that being a musician is a job, they don't get what the work takes. And that's just because you're living a dream, so everyone who's observing it from the outside can't really empathize with how much work it is because you're fortunate. And it's a kind of competition with yourself to stay away from all of the excess, whether it's booze or drugs or just the late nights with the addiction to watching the sun rise in some weird part of the world. But when you meet the other musicians, there's generally a spiritual exhaustion that you connect with.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
I always dream about other musicians. And they're never interested in hanging out with us. It's like being at school and the bigger boys don't want to play with you!
I think musicians are perfect at knowing how to get the best out of other musicians. I can really relate to that communion.
I started quite late. I only discovered that I could write a song when I was, like, 17... some musicians, they're starting out, writing songs when they're, like, 12, 13. I never thought I would go into songwriting when I was that young.
There is no need of a way out! Don't you see that a way out is also part of the dream All you have to do is see the dream as dream. ...Wherever it leads you, it will be a dream. The very idea of going beyond the dream is illusory. Why go anywhere Just realize that you are dreaming a dream you call the world and stop looking for ways out. The dream is not your problem. Your problem is that you like one part of your dream and not another. Love all, or none of it, and stop complaining. When you have seen the dream as a dream, you have done all that needs be done.
You merely dream that you roam about. In a few years your stay in India will appear as a dream to you. You will dream some other dream at that time. Do realize that it is not you who moves from dream to dream, but the dreams flow before you and you are the immutable witness. No happening affects your real being-that is the absolute truth.
The only way to keep a dream, any dream at all, to keep a dream perfect and rosy and intact and unsullied is never to live it out. The moment you carry out any of your dreams or your fantasies - travel around the world, climbing a high mountain, buying a new house, writing a novel, carrying out a sexual fantasy, traveling to an unknown country - the moment you carry out your dreams, it's always, by definition less perfect and rosy than it had been as a dream. This is the nature of dreams.
Musicians get tense at big gigs. Some you can't talk to before the concert; some you can't talk to afterwards; some need the same size dressing rooms as others; others need bigger; some have comments to make on others' musicianship or how a particular song ought to be played.
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