A Quote by Kevin Peter Hall
I'm not just somebody shuffling around in a monster suit. I'm a kind of puppeteer from the inside who is attempting through arm and body movements to give the creatures I play a sense of personality.
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When you start to do research into gorillas or any kind of apes, if you're going to play them, that's one of the biggest misconceptions. And when I did Kong, you're not doing gorilla movements, you're not doing ape movements, you're looking for a personality. It's like saying okay I'm going to do human movements.
I am like a small creature swallowed whole by a monster, she thought, and the monster feels my tiny little movements inside.
I was really fascinated by the idea of how cunning and calculating Headless Horseman would be, and how much personality you can actually get from somebody when they're not expressing. They can do a lot of attitude, just within their body movements.
A lot of artists are just really stupid about money, and it's really hard to find somebody who kind of thinks of shuffling money around and doing business as an art.
Cable is not a robot. The metal in his body is actually organic tissue. Ed and I have talked about this a lot. We liken it to a cancer that changes your body's cellular structure. Last time we saw him, his arm had been severed. It's back with a kind of force that will play a major role in this storyline. This is a battle inside Cable's body that he has waged since the first time he appeared.
What's more important is that we talk about movements; change happens through movements. The movement to end slavery, the movement to bring justice for those who have been left out of the system, movements to include women, movements around sexual preference - all these movements brought about change.
Everything I did to get back, if it wasnt for my team, it was for my city. Thats one thing that I bought into from Day One. Im not just here in this city to play football, Im here to actually create real change in this city. If my effort can give you hope, faith or love, then so be it. Ill give everything I have, and today was about me giving everything that I had, showing people that no matter the circumstances that you may be going through, just push through it. If you can push through it, you will encourage somebody. Today, hopefully through what I did today, somebody was uplifted.
The monster behind the wall stirred. I'd come to think of it as a monster, but it was just me. Or the darker part of me, at least. You probably think it would be creepy to have a real monster hiding inside of you, but trust me - it's far, far worse when the monster is really just your own mind. Calling it a monster seemed to distance it a little, which made me feel better about it. Not much better, but I take what I can get.
For me, a lot of Discipline was very personal writing, like writing through and working out being inside this gendered body and also the compulsions of the body, the muting of the mind as driven by the body. My father had died some years ago so he haunts the book too, just floats through it ghost-like. But, the writing of every book is different for me. They are so like living creatures, these books, so I don't know what's carried over into the writing of the next things - except maybe that I'm best when I make my writing practice a routine.
It's amazing what can happen if you just put your arm around somebody.
I think that a lot of social movements, political movements, powerful ones - certainly they form, collectively, an idea of the truth which becomes hard to question. It becomes a dogma, and from the inside it starts to look like common sense.
I take pens and I write on the inside of my arm. When I'm with people and somebody says a really fascinating anecdote, or fact, or phrase, I'll write it on the inside of my arm. At the end of the day, I'll take the very best things that are on my arm and I'll copy them into a notebook that I always carry and only when the weather is absolutely terrible will I really key the very best of that notebook into the computer. At that point, it's all sort of censored twice - only the best things go from the arm to the book and only the best things go from the book to the computer.
I'm protective kind of aggressive, a caring personality. I guess it's just kind of who I am naturally, once I get to really know somebody.
I think a lot of us have some form of body dysmorphia... You're looking in the mirror, and you're kind of disassociated in some way. I think a good reminder is to actually, physically touch yourself. 'Ah, okay, this is what my arm feels like. It's not what I'm mutating in my head. I'm not some sort of scary monster.'
For me, style is something that I'm comfortable in. I don't really follow any trends. I just like to wear things that look good on me and suit my body and personality.
My father was a low-budget monster movie maker, so he made classics like 'The Crater Lake Monster.' There were always creatures around. And my dad was a huge fan of Ray Harryhausen. One of our neighbors, who went on to win several Academy Awards, was close friends with my dad. His name is Phil Tippett.
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