A Quote by Kevin Powers
I think a diversity of expression can only be good, so I think the more that people write about their experience, use their imagination to deal with their experience, you know, I think that's going to be good for not only for those authors but also for people who are interested in trying to understand it.
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Any negative review you write, they'll say, "Oh, you're being so mean." I think the problem with a lot of criticism is that too many critics either write just description or they write in a Mandarin jargon that only a handful of people can understand, or they write happy criticis - everything is good that they write about. I think that's really not good. I think it's damaged a lot of our critical voices.
I've found through experience that I'm only good when I'm writing something that, in essence, only I could write. The times I've written for hire, for other people, I don't think I've done very well.
I think it's incumbent upon me to try to be smart and make good choices and work with good people and work my ass off when I'm working with good people and I have to let everyone have their opinion afterwards. But this is what happens. You make a movie or you're on a show and then you have this experience and everyone tells you what you did. They tell you what you did. That's allowed. That's the experience of being human and subjectivity. That's it. We can only do what we'll do, and I can only do the best I can do.
I think it's been hard for people to understand how Islam can be a good religion, and yet the Islamists are evil. Those of us who have had experience with Islam understand this, just as we understand the difference between snake handlers and people going to church on Sunday morning.
I really need to work. People think that I'm no longer interested in acting and only interested in working with the animals. Obviously I have given that impression, but it is not how I feel. I think I'm a good actor. I think I look OK. I don't understand why I'm not working all the time.
I really need to work. People think that I'm no longer interested in acting and only interested in work-ing with the animals. Obviously I have given that impression, but it is not how I feel. I think I'm a good actor. I think I look OK. I don't understand why I'm not working all the time.
I can understand that there are those who can think and imagine the world without words, but I think that once you find the words that name your experience, then suddenly that experience becomes grounded, and you can use it and you can try to understand it.
I think when you look at the diversity of the readership, all the different people who love comics, I want comics to reflect the real world, and I think Marvel does a good job of trying to do that, but I don't think there's ever an end point when it comes to creating diversity and creating stories that people can relate to.
I think it's no coincidence that people who are good at writing far-out fiction are also good at meta-fiction. Think of all the best Phillip K. Dick stories, where you experience a sort of dislocation, and suddenly what you think you've been reading is, in fact, something else entirely.
Now the Japanese companies are more focused on that. To have two independent directors - I think it's good to have outside people look at you and think of what you could be doing better. Those are voluntary, but most of the companies told me they're going to do it. And I think it's good for them to say our returns on equity, for example, should be higher. Also, I think some could be more ambitious.
I would say the only one person I know of who kind of combines the elements that my father brought to the table in terms of affecting the public discourse would be Oliver Stone. His combination of academic brilliance and real life experience and just understanding people I think is what makes him such a great storyteller, but also he cares. He is interested. He meets somebody and he listens to them. He has some questions. He wants to know what they're about. And as a result I think his worldview is much more complex and whole and most of the other.
I'm interested in the way in which the past affects the present and I think that if we understand a good deal more about history, we automatically understand a great more about contemporary life.
The biggest misconception is that I only write about shitty people. Or that I'm trying to be shocking. I just think people are super weird, so I like to write characters that get addicted to things, lose their minds, hurt others, put themselves in bad situations. I'm just more interested in that.
At a horror movie, you can see other people dealing with the scary things. They can bolster you. You can think, 'Okay, if that guy can deal with it, I can deal with it.' There are lessons to be learned there, as opposed to having a frivolous popcorn experience. I think some of this stuff is good for your soul.
I think people who read Internet blogs are usually trying to fit it in during a busy part of their day, and there's only so much information that you digest. Whereas an experience with a book is a little more comfortable, and I think people are a little more willing to really delve into information.
If someone's going to talk about me, I'd want it to be positively. The way many write, you'd think only bad things were interesting. If we don't think positive, what's the use? It's a lot more fun, you know.
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