A Quote by Kevin Powers
I wanted something that I could look back on and say, yes, you were fighting too, you burned to be alive, and whatever failure or accident of nature caused you to be killed could be explained by something other than the fact that I'd missed your giving up.
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I grew up on particular movies that said something to me as a kid from Missouri, movies that showed me places I'd yet traveled, or different cultures, or explained something, or said something in a better way than I could ever say. I wanted to find the movies like that. It was less about a career than finding the films I wanted to see.
Look, as a child growing up it occurred to me that I had everything I could have wanted: a roof over my head, education, food. All of it because my father provided... My way of giving back was being that invisible guy. Giving something back from a lifetime of taking.
I grew up on certain movies, particular movies that said something to me as a kid from Missouri, movies that showed me places I'd yet traveled, or different cultures, or explained something, or said something in a better way than I could ever say. I wanted to find the movies like that.
Losing ... really does say something about who you are. Among other things it measures are: do you blame others, or do you own the loss? Do you analyze your failure, or just complain about bad luck? If you're willing to examine failure, and to look not just at your outward physical performance, but your internal workings, too, losing can be valuable. How you behave in those moments can perhaps be more self-defining than winning could ever be. Sometimes losing shows you for who you really are.
One big power of an actor is knowing when to say no to something. It can be very tempting to say yes to something, because you're flattered that somebody would like to work with you, and your ego sort of takes over, but it's important to ask whether there could be something you could add to a project by being part of it.
I feel like there are instances and circumstances in your life that always change. You can think someone's your friend, and it could be out of convenience, or there was something in it for them, or whatever. And a year later, something happens and you really need help, or all of a sudden they have to stand up for you, and it could be inconvenient for them or not benefit them. And they don't have your back. And you're like, "Ok, that friendship was circumstantial. You were only my friend when it was easy." What's hard is you can't tell from the beginning.
Back in third grade, they used to say, 'Take whatever talent you have and think of something you can do with it.' I liked to draw, but what could I do with it? Maybe I could be an art dealer - nah, can't see myself doing that. Maybe I could do commercial arts?
I always loved running... it was something you could do by yourself, and under your own power. You could go in any direction, fast or slow as you wanted, fighting the wind if you felt like it, seeking out new sights just on the strength of your feet and the courage of your lungs.
I had never wanted to be one of those girls in love with boys who would not have me. Unrequited love - plain desperate aboveboard boy-chasing - turned you into a salesperson, and what you were selling was something he didn't want, couldn't use, would never miss. Unrequited love was deciding to be useless, and I could never abide uselessness. Neither could James. He understood. In such situations, you do one of two things - you either walk away and deny yourself, or you do sneaky things to get what you need. You attend weddings, you go for walks. You say, yes. Yes, you're my best friend, too.
We've always wanted to do it, something you could dance to, and deep down we always thought we could bring something to the table if we could do it, but the live shows always made us pull back and be a rock band.
We owe them [animals] a decent life and a decent death, and their lives should be as low-stress as possible. That's my job. I wish animals could have more than just a low-stress life and a quick, painless death. I wish animals could have a good life, too, with something useful to do. People were animals, too, once, and when we turned into human beings we gave something up. Being close to animals brings some of it back.
Given the way the system was, what could I do as I one person, other than devote my life to fighting to make it different? If I had allowed myself to be filled with hate, I probably wouldn't even be alive, because that hate could've killed me. That hate would've blinded me to my contributions in terms of how I could make a difference. You can't think straight when you're consumed by hate and focused on destroying someone else. Instead, I was bent on trying to destroy a system that was not fair to all of us, and I continue to do that.
I felt that there could be some anger. There could be some frustration that he has the tendency to take over the room, but I wanted all of those things to show in the grays of her hair and the fact that her hips are much wider than they probably were when she met him. I wanted it to show in the fact that her hair is not done up all the time. I wanted it to be a part of that every day that wasn't in your face. Because then for me, that's overacting. To me, that's not "being." I wanted Rose [in "Fences"] to be many things.
How could I say that I wished to penetrate the secrets of the mountains in search of something still unknown that, like the yeti, might well be missed for the very fact of searching?
And, finally, I know, too. That throwing away this mess doesn't mean I'm giving something up. Or losing something I can't get back. It's just that there are too many pieces and too much dust. I'm just ready for something whole." —Pete Cassidy
They say there's no second act in American lives. There's something there worth exploring. Giving up an idea of yourself, examining your failure, and seeing if that failure was the system's or yours. What does it mean to not turn out to be the person you want to be?
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