A Quote by Kevin Sabet

Make no mistake about it: Legalization is not about, you know, Cheech & Chong smoking marijuana or, you know, a Grateful Dead concert; it's about creating the next Marlboro of our time, the next Philip Morris and R.J. Reynolds, the Big Tobacco all over again.
I don't think young black men, or anybody, should get a criminal record for low-level use. You know, I don't think that we should spend our law enforcement time jailing or imprisoning marijuana users. But to solve that problem, you don't need to go to the other extreme of creating Big Tobacco 2.0. Make no mistake about it: Legalization is not about, you know, Cheech & Chong smoking marijuana or, you know, a Grateful Dead concert; it's about creating the next Marlboro of our time, the next Philip Morris and R.J. Reynolds, the Big Tobacco all over again.
Music has always been a big part of Cheech & Chong's career, so it's just natural. You know, I was a musician before I met Cheech and had a record with Motown, and so I've got the cred.
I stopped acting when I was about nineteen, twenty, when I got thrown out of college. I did act for about ten years. I don't know. I suspect I'm still a reasonably good actor, but I don't really know that I want to get on the stage again ... and having to say all those boring words by me over and over again ... I don't know if I want to do that. Also, I like a certain amount of freedom of movement, and if you're acting, you're stuck in one place for a long time. Having said that, I will probably be onstage next fall.
We are just coming out of a 100-year stupor from being lied to by the tobacco industry for a century about the effects on young people, on cancer, these candy cigarettes that they promised had nothing to do with kids, Joe Camel that they promised was focused on the, you know, 55-year-old white male smoker, which we know is wrong. And we finally got out of that. Why in the world would we want to create the same thing, just not Big Tobacco this time, Big Marijuana?
This one looks good,” said Chong over breakfast the next morning. Benny read out loud from the paper. “‘Pit Thrower.’ What’s that?” “I don’t know,” Chong said with a mouth full of toast. “I think it has something to do with barbecuing.” It didn’t.
I had this fantastic collection of Grateful Dead T-shirts and live concert music the band had give me over all these years, decades of material, and when our boys became teenagers they started going through everything and wearing the shirts and listening to the music and that's what the Grateful Dead is all about.
The culture is about moving to a place where tobacco and smoking isn't part of normal life: people don't encounter it normally, they don't see it in their big supermarkets, they don't see people smoking in public places, they don't see tobacco vending machines.
If somebody is smoking a joint in a movie, I say it's a cigarette - a big cigarette if it's a Cheech and Chong movie.
I don't think young black men, or anybody, should get a criminal record for low-level use. You know, I don't think that we should spend our law enforcement time jailing or imprisoning marijuana users. But to solve that problem, you don't need to go to the other extreme of creating Big Tobacco 2.0.
I was so naive I didn't even know about agents. I telephoned the William Morris agency and asked to speak to Mr. Morris. I expected Bill Morris to be waiting for my call.
The thing is about Cheech & Chong, we've brought more families together than Dr. Phil.
I know about Woodstock probably as much as your average person who is over 30, where I'd know Jimi Hendrix, Janis Joplin, Grateful Dead.
I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.
We opened for the Kinks, the Beach Boys, the Guess Who, Chuck Berry, Sha Na Na. We opened for Cheech and Chong - I opened for Cheech, and Don opened for Chong.
A lot of the time, when I'm choreographing, I'm not thinking about what movement look best next to the next movement - I'm actually thinking about what song and what sound sounds right next to the next thing. So kind of choreographing as if I'm always making a mix tape, so to speak.
I think it's about time we legalize marijuana... We either put people who are smoking marijuana behind bars or we legalize it, but this little game we are playing in the middle is not helping us, it is not helping Mexico and it is causing massive violence on our southern border... Fifty percent of the money going to these cartels is coming just from marijuana coming across our border.
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