A Quote by Kevin Sessums

Calvin [Trillin] was much more of a mover and a shaker. That's all I'm saying. I was a "weenie." That was another term back then. — © Kevin Sessums
Calvin [Trillin] was much more of a mover and a shaker. That's all I'm saying. I was a "weenie." That was another term back then.
Another example of what I have to put up with from him. But there was a time I was mad at all my straight friends when AIDS was at its worst. I particularly hated the New Yorker, where Calvin [Trillin] has published so much of his work. The New Yorker was the worst because they barely ever wrote about AIDS. I used to take out on Calvin my real hatred for the New Yorker.
Whatever is in motion must be put in motion by another. If that by which it is put in motion be itself put in motion, then this also must needs be put in motion by another, and that by another again. But this cannot go on to infinity, because then there would be no first mover, and, consequently, no other mover; seeing that subsequent movers move only inasmuch as they are put in motion by the first mover; as the staff moves only because it is put in motion by the hand. Therefore it is necessary to arrive at a first mover, put in motion by no other; and this everyone understands to be God.
Calvin [Trillin] has never done anything majorly objectionable.
I never appear in any of your work, come to think of it, Calvin [Trillin]. And I look.
At Harvard, people like to impart the idea that you are a mover and shaker.
Honestly, I've never thought of myself as a mover and shaker of songwriting.
[Calvin Trillin] was very "shoe," which means he was a big jock, a big deal.
I got to train with some of the best and have critics like Oscar de la Renta and Calvin Klein. As a student under Calvin Klein, my project was to make a coat, and then years later, I was hired at Calvin, by Calvin, to design coats for him. It came full circle!
The existence of a prime mover- nothing can move itself; there must be a first mover. The first mover is called God.
I'm sorry to keep focusing on the New Yorker, but everybody who was growing up when Calvin [Trillin] and I were growing up wanted to be published in the New Yorker.
[Calvin, who has the chicken pox, calls Susie on the telephone.] Susie: Hello? Calvin: Hi, Susie! It's me, Calvin! I was wondering if you'd like to come over and play. Susie: Why, sure! Boy, I don't think you've ever invited me to... Calvin's Mom: Calvin, what are you doing? Calvin: Nothing, Mom. Go away. Calvin's Mom: You're contagious! You can't have anyone over to play! Calvin: Shhhh! Shhhh! You'll spoil the whole thing! I was going to trick Susie into catching... HEY! OW! LET GO! Susie: [Hanging up the phone] Any chance of getting transferred, Dad?
"Weenie" was definitely a word we used at Yale back then. But I'm not sure you were one, Larry [Kramer]. Also, you were going by a different name.
You can go back 150 years and literally find the same people saying the same thing in the same way. "If we have to pay you more, it will be bad for you." And that's because saying that is a much more polite way of saying, "I'm rich, you're poor, and I would prefer to keep it that way."
Ms. Wormwood: Calvin, can you tell us what Lewis and Clark did? Calvin: No, but I can recite the secret superhero origin of each member of Captain Napalm's Thermonuclear League of Liberty. Ms. Wormwood: See me after class, Calvin. Calvin: [retrospectively] I'm not dumb. I just have a command of thoroughly useless information.
The most inspiring thing for me about Calvin Klein was how subversive the advertising's message was. That's what drove me in my creative process and also in my creating now. The new advertising campaign is Calvin Klein the way I see it today. It's also bringing back the kind of subversive element that I always saw in Calvin Klein's campaigns.
Perl is another example of filling a tiny, short-term need, and then being a real problem in the longer term.
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