Yale men do not like to be told anything by people who didn't go to Yale. The closest I came to Yale was once I had one of their padlocks.
Up to the age of 14 I had not heard a note of anything before 1750, never heard a note of Bach, never heard anything after Wagner, and never heard any real jazz.
It is obvious that the war which Hitler and his accomplices waged was a war not only against Jewish men, women, and children, but also against Jewish religion, Jewish culture, Jewish tradition, therefore Jewish memory.
I'll always remember when I first heard Lester [Young]. I'd never heard anyone like him before. He was a stylist with a different sound. A sound I'd never heard before or since. To be honest with you, I didn't much like it at first.
I grew up in Brownsville; most of the kids I grew up with went to jail, not Yale. If they had heard of Yale, they thought it was a lock to pick.
The drive to be useful is encoded in our genes. But when we gather in very large numbers, as in the modern nation-state, we seem capable of levels of folly and self-destruction to be found nowhere else in all of nature. But if we keep at it and keep alive, we are in for one surprise after another. We can build structures for human society never seen before, thoughts never heard before, music never heard before.
I had never even heard of the term 'hidden homeless' before... It's not just Orlando and Kissimmee. It's a national issue; it's a national problem.
The ability to collect, analyze, triangulate and visualize vast amounts of data in real time is something the human race has never had before. This new set of tools, often referred by the lofty term 'Big Data,' has begun to emerge as a new approach to addressing some of the biggest challenges facing our planet.
I know the dangers and the seductions of the Middle East. It is part of my identity. I grew up among a people who routinely referred to the creation of the State of Israel as the Nakba - the catastrophe. And yet I fell in love with and married a Jewish American woman, the only daughter of two Holocaust survivors, both Jewish Austrians.
I naively thought I was making a low-budget movie. But, when the film came out, the Daily Variety reviewer at that time who was named Art Murphy described it as an exploitation film. I had never heard that term before. Roger never used it. So that's how I learned that I had made an exploitation film.
Of the Logos which is as I describe it men always prove to be uncomprehending, both before they have heard it and when once they have heard it. For although all things happen according to this Logos, they [men] are like people of no experience, even when they experience such words and deeds as I explain, when I distinguish each thing according to its constitution and declare how it is; but the rest of men fail to notice what they do after they wake up just as they forget what they do when asleep.
So there was something of a learning curve with doing your own thing and people seeing you outside of the band. I mean, people have never really heard my voice before - or heard a whole record of mine before. So it was a completely new experience.
I had seen this comic called 'Invincible' created by two people I had never heard of before, Robert Kirkman and Cory Walker, and I was a huge fan. 'Invincible' probably had five or six issues under the belt, and the book was so impressive to me, I was surprised that I had never heard of them before. It's like they came out wholly formed.
If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, "huh."
Why do Jewish men die before their wives? They want to.
The more I can make a person comfortable in their environment by taking my ego's hat off and leaving it at the door, then they can dive deep within themselves and we can pull out something interesting that people have never heard before. It's the stuff that's - that no one's ever heard before is really interesting.