A Quote by Kevin Sessums

"Weenie" was definitely a word we used at Yale back then. But I'm not sure you were one, Larry [Kramer]. Also, you were going by a different name. — © Kevin Sessums
"Weenie" was definitely a word we used at Yale back then. But I'm not sure you were one, Larry [Kramer]. Also, you were going by a different name.
When I graduated [from Yale], I went back to Larry [Kramer]. But when I go to Yale reunions, there are still people who call me David.
I was so unhappy as a child in Washington I figured if I'm going to Yale, I am going to start a new life. I'll change my name to my middle name. So I was known for my four years at Yale as David Kramer.
There was a Yale even before Larry [Kramer] and I got there, and there were three designations of students: "white shoe," "brown shoe," and "black shoe." "White shoe" people were kind of the ur-preppies from high-class backgrounds. "Brown shoe" people were kind of the high school student-council presidents who were snatched up and brushed up a little bit to be sent out into the world. "Black shoe" people were beyond the pale. They were chemistry majors and things like that.
We didn't know each other [with Larry Kramer at Yale], but we had a lot of mutual friends.
[Larry Kramer] got really mad at me once. The precipitating incident was a speech at Yale by the first President Bush's Secretary of Heath and Human Services, Louis Sullivan, against which Larry led a demonstration. He got the demonstrators to drown out Sullivan's speech, which wasn't allowed.
Larry [Kramer] and I often disagree. There was the whole meshuggaas we went through about his donating his papers to Yale, and I disagreed with him on a number of things about that. You wanted a gay center.
I could appear in this million-word book [Larry Kramer] are working on. Nobody would even notice me.
Look at the movies of the sixties and seventies. They were making a different kind of movie then. Would 'Network' ever be made now? No. Would 'Kramer vs. Kramer' ever be made now? No. Would 'Tootsie' ever be made now? Probably not. Robert Altman films? Never.
Back in Kansas City, I associated Harvard with sort of gnarly guys who wore capes for effect in a kind of Oscar Wilde scene. Even though I also knew there was such a thing as the Harvard-Yale game, I was still a little surprised that Harvard had a football team. I just assumed if there were such a thing as gay people, that they were nothing like us. Little did I know that probably half the swim team at Yale was gay.
[Larry Kramer] even wrote this angry letter to the president of Yale, and in it he said what he said to us, that he was so disappointed in his straight friends because of AIDS and everything. He wrote the letter around March. And in it he wrote, "I usually go to the Trillins for Christmas, but I just couldn't do it this year."
I know now that I began writing in a country where the word 'woman' and the word 'poet' were almost magnetically opposed. One word was used to invoke collective nurture, the other to sketch out self-reflective individualism. Both states were necessary - that much the culture conceded - but they were oil and water and could not be mixed.
When I was young and I look at the things that I wrote - I don't think that was the word they used back then, but they had a hipster sensibility. They were a little irreverent.
Once we were a part of Equity, we were able to get a salary, and then because we were employing ourselves, we just made sure we were always working. We put in hours to get subscribers. We used to do little shows at rich peoples' houses to get them to give us money.
Larry [Kramer] had already experienced so much loss by then from the AIDS epidemic. But I don't think it changed anything between us.
Those people are seen, I assume, by Larry [Kramer] as writing partly about gay issues and problems, whether it's on the surface or not, and I am not. But another thing is when we met, there still wasn't exactly a gay/straight divide in the minds of a lot of straight people. There weren't any gay people, as far as we knew, at Yale.
Culturally, I found myself in a very weird situation: you were the person that had made that journey to the West, and then you were going back to comment on something, and then suddenly you were questioned and told, "You can't touch that now because you're a pop star."
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