A Quote by Kevin Spacey
Our job, you know, in the entertainment profession is to try to illuminate and show people all sides of humanity, and it doesn't just mean that you can only do movies that are only about the good parts of us. You have to be able to eliminate the bad parts.
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Most programming languages contain good parts and bad parts. I discovered that I could be better programmer by using only the good parts and avoiding the bad parts.
I think there are two sides of the coin. On one hand, it can be challenging to access different parts of yourself, and you kind of have to put yourself back into reality when you're done with the job. But I think it's also really cool to have the ability to try on being different people and to explore some parts of yourself because you get to know yourself better. You get to know parts of yourself that you haven't met before. I think that's something that I've been learning more recently.
People are coming to you at their most vulnerable; they're showing you the parts of themselves that they're afraid to show: the parts that they're not so sure about, not so secure in. And so it's a really holy profession I think, teaching. If you do it right, it can change somebody's life.
What if life could be this way? Only the happy parts, none of the terrible, not even the mildly unpleasant. What if we could just cut out the bad and keep the good? This is what I want to do with Violet - give her only the good, keep away the bad, so that good is all we ever have around us.
There are good parts and bad parts and middle parts about everybody. So what I would like to be known as is someone who was true to himself and passionate about the game.
We all have them, those parts of us that are the greatest parts of us and the worst parts of us. Sometimes we're put in circumstances and bad choices are made.
Any experience you have, there are good parts of it and bad parts, and you have to learn from the bad parts and the mistakes that you've made.
We can't have a show where we only show the good parts and when things turn ugly, as life often does, we stop pack up our stuff, apologize to the millions watching, and just go home.
Only parts of us will ever touch only parts of others.
As an author, you think you know where the good parts and the bad parts are. And then you read to a group of children, and you learn when you're boring them, and you hurry through those sections to get to the parts where they're interested again. You start to get a sense of your story's rhythm and flow.
In the Eagles, you have specific assignments. You have vocal parts and musical parts that need to be exactly in place at the right time. And if all of us do our job, it becomes something bigger than any of us.
You want to make a little money, and sometimes you want to play some really great parts. Sometimes they don't always coincide, or co-exist. Sometimes you've got to do good parts for no money and... You know, I sometimes can't do movies just for the money. I really can't. I mean, I've tried. Believe me, I'd love to just take the money and run. That might just be part of the equation, but there has to be something there. You have to be somewhat creatively satisfied.
I just finished my 62nd or my 63rd movie here, and you know, I do good ones, I do bad ones, I do big parts, I do small parts, I do cameos - but I've allowed myself a pat on the back, because I realized that I've been working in Hollywood now since 1973.
You can do bad parts in good pictures or good parts in bad pictures and maybe get a little personal satisfaction. But the key to it all is good parts in good pictures.
The only parts I like out of any of those women books is the dirty parts. But I don't think their dirty parts are any good, really.
In crime fiction, I just don't write the parts that aren't a thriller and it's exactly the same in my TV reporting - I distill the essence of the story until it's only the jewels of the tale - and leave in only the most compelling and exciting parts.
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