A Quote by Kevin Spacey
The audience, the place youre in, has everything to do with how your performance goes.
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The audience, the place you're in, has everything to do with how your performance goes.
The most spiritual place you can be in your life is when youre being very real, when youre not allowing everybody and everything to influence your decisions and your moods, and whats morally right or ethically right.
Every single performance of 'Fleabag,' I would learn so much from the audience reaction or how you could change it all the time, and I loved that sense that the performance is ever-growing and changing and could be affected by the audience.
This is how I define grace: youre on the main stage, and it looks like it has been rehearsed 100 times, everything goes so smoothly. Thats where I get my confidence and success, from knowing that I have an edge because I know Im prepared.
You need 10,000 hours to figure out how to be good at something and I agree with that to a certain extent. It's like everything you do to lead up to a great recording or great performance is everything you've done in the past and you can't just, it's rare that someone wakes up in a void and goes and wakes up and makes the most brilliant recording or performance.
The key is, if youre not monkeying around with the script, then everything usually goes pretty well.
The audience is the most revered member of the theater. Without an audience, there is no theater. Everything done is ultimately for the enjoyment of the audience. They are our guests, fellow players, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
One of the things on a very practical level as an actor or actress is that when you do a play, you do the entire story every time you do it. You have eight shows a week. You have a rehearsal process of four to five to six weeks. And then once you're in performance, everybody else goes away and you're there with your fellow actors and the audience and the material and your life becomes about that. And you go through the story from the beginning to the end every time you do it and depending on how long you do it, that's where the craft comes in.
The feelings of being in the audience and being on the podium are very far apart. When you're onstage and something goes wrong, you can do something about it. In the audience, you just have to sit there, and if it's a disastrous performance, I'm the one that gets blamed.
We played a show the other week at this festival and it was an audience that I'd never normally play in front of. That's one the greatest things about festivals: you don't always get your audience, you get people who just pop in out of curiosity. The reaction was amazing; there were people dancing, which we've never had, I guess because the message is pretty powerful and the performance is a lot more visceral than it has been previously. The audiences seem to be reacting to that really well and it's a wonderful thing, because at a performance you really bounce off your audience.
When youre in that scene, you really wonder if this is all youre ever going to be. You know how vile and filthy you are inside.
The single most damaging misconception about strategy is that it is a set of financial performance goals. The so-called "strategies" created by many managements are nothing more than three-to-five year financial performance forecasts. They are then labeled "strategy" and shipped off to the board of directors which goes through the motions of discussing how big the numbers are. Strategy is not your aspirations. Strategy is concerned with how you will arrange your actions and resources to punch through the challenges you face.
In a play, you can adjust your performance to audience reaction, but in a film, it's like you're trapped in a bad dream watching yourself act, and you're in the audience.
In a play, you can adjust your performance to audience reaction, but in a film it's like you're trapped in a bad dream watching yourself act and you're in the audience
All I can say is that you only realize how big your mountain is once youre laying motionless, helpless, and hopeless in the valley below. No one goes there on purpose, if you get what Im saying, because the only way to find your personal low is to slip and roll down that mountain of yours, straight through to the bottom, no holds barred.
If youre serious about what youre doing, youve got to keep your head and follow your instinct. Maybe you wont reach the same dizzy heights as others, but you will get something back.
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