A Quote by Kevin Spacey
The Old Vic has always been first and foremost an actors theatre, a home for great talent and memorable performances.
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The Old Vic has always been first and foremost an actors' theatre, a home for great talent and memorable performances.
I studied at the Bristol Old Vic Theatre School, which was founded by Laurence Olivier and has alumni like Jeremy Irons and Daniel Day Lewis. It's a very erudite institution; its ethos, really, was always theatre-based.
I love theatre. I think it's the home of most actors...most actors start with it. It's so enjoyable to do and to be able to see your audience. And the process of theatre is great.
In Britain, the theatre has traditionally been where the public goes to think about its past and debate its future. The formation of the National Theatre, at the Old Vic, near the South Bank, in 1963, institutionalized the symbolic importance of drama by giving it both a building and state funding.
I stayed a year in the sixth form and there was talk of Cambridge, but I wanted to go to drama school. At 17 and three months I went to the Old Vic School in London. This most remarkable and brilliant drama school lasted only six years because the Old Vic Theatre hadn't the money to go on funding it.
I came to theatre as a teenager by going to the National Theatre when it was at the Old Vic and sitting on padded seats in the gallery for 15 pence, which was the price of a bus fare.
From a performance standpoint, it just gives [actors] so much - I had such a great cast [ in Valley of Violence] - and it gives them the ability to go wild with it and to have performances that are memorable.
I am a composer first and foremost, and have always believed that being able to write memorable melodies is what sets musicians apart.
Since I started making films, I've been a nut for dialogue. When I first saw Star Wars when I was 12 years old, I came home and recited all of the lines from it. Before I talked about Death Stars exploding and Tie Fighters I was talking about how funny Princess Leia was and how sarcastic Han Solo was. So to me that's always the most important thing, and I love hearing great actors say great lines.
No, I've never moved on with a play. I did the original 'Closer' in London but didn't transfer to the West End or Broadway with it. The same is true of 'Iceman': I didn't go to the Old Vic or Broadway with that. I don't know; I feel an allegiance often to the play where you do it first, in the theatre that it's in; you do it for that space.
I loved English at school and realised I would enjoy studying plays. I got into Royal Holloway. They had a little studio theatre where we put on plays, and that's what I realised I wanted to do. So from there, I went to the Old Vic theatre school to learn how to do it properly.
I started to respect older actors when I was young and then contemporary actors later on. Then I learned respect for comedy. When I was first doing theatre, I thought of it as just a means to become Sarah Bernhardt or someone like that. But acting with young people has been a great learning experience.
I would love to get great performances from actors as a director, because that's what I'm always looking for, a director that's going to help me go places I've never been before.
I love the Old Vic so deeply, it's like a second home.
Vic nudged my elbow with his. "You and me are still friends, right? You guys get a joint custody in the divorce. Generous visitations rights." "Divorce?" Despite myself, I laughed. Only Vic could call the aftermath of a bad first date a divorce. We hadn't exactly been friends beforehand, so "still" was an exaggeration, but it would've been mean to point that out. Besides, I liked Vic. "We're still friends." "Excellent. The weirdos have to stick together around here." "Are you calling me a weirdo?" "Highest honor I can bestow.
The appearance and retirement of actors are the great events of the theatrical world; and their first performances fill the pit with conjecture and prognostication, as the first actions of a new monarch agitate nations with hope and fear.
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