A Quote by Kevin Spacey

In film, movies schedules are based on three things: actors availabilities, when are sets being built, when you can rent the place youre going to film in. — © Kevin Spacey
In film, movies schedules are based on three things: actors availabilities, when are sets being built, when you can rent the place youre going to film in.
In film, movies' schedules are based on three things: actors' availabilities, when are sets being built, when you can rent the place you're going to film in.
I think I spent my entire childhood on film sets, surrounded by film-makers and actors and people with magnetic energies who make movies.
Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.
Professionalism and punctuality are extremely important, especially in the career path I've chosen. Being on sets, film schedules can be very stringent and tight. They are sometimes at odd hours in various locations. Being there when you're called just ensures that the day starts smoothly.
I love being on film sets even if I'm not acting in the film, and I'm fascinated by the work of the director of photography.
Making movies is about control. You need to control your narcissism in the first place, and you need to be disciplined enough to understand the reason for the film. You need to follow the agenda of the film, not a personal agenda or that of the studio. Or, worst of all, of the actors.
As far as the balance between being a journalist, being an artist, being a storyteller - documentary filmmakers are all three of those things. The balance between them is affected by the film itself, the topic of the film.
It is a very important film, Life And Nothing More, in that what was filmed was inspired by a journey I had made just three days after an earthquake. And I speak not only of the film itself but also of the experience of being in that place, where only three days before 50,000 people had died.
Sony could have $50 million and a sound stage and A-list actors and never make the same film. The constraints on this film became the essence of this film, became the power of this film.
I didn't realise my upbringing was unusual until my teens. As the child of two actors, I presumed that visiting film sets and being surrounded by colourful characters was normal.
Some people do stage and film. Some people are film actors, and some people are stage actors. I'm quite sure that any of the actors who did the original production of 'August' could have done the film of 'August.' I don't think any of them were particularly surprised when they didn't wind up doing the film.
NYU Film School was the way to learn about film, to be exposed to film, to go to repertory houses, to be exposed to New York and see films. I would go to the library and see one, two or three movies a day.
Success of a film is not only based on the film being good or bad. A lot of other factors are involved as well.
Film and television, one is generally faster. Television generally moves faster in terms of directing, schedules and getting things done. Film, you're on a pretty tight schedule, so the process is the dame.
If youre going to use standards as criteria for signing musicians, you can sign thousands. If youre going to use some sort of conceptual interpretation thats based on the tradition of those standards, but is trying to move away from it, youre down to about 10 people or so.
For me, film-making is combining images and sounds of real things in an order that makes them effective. What I disapprove of is photographing things that are not real. Sets and actors are not real.
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