A Quote by Kevin Spacey
Over a spell of about three years, I played a series of roles that were, for me, all very different, but most of them came out within a six-month period. They all dealt with a kind of dark territory that in some cases had been mined before in movies.
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I remember, when I was a teenager, 'Pride And Prejudice' came out. We hadn't had a period drama for ages, and were all glued to it, and for the next three years, Jane Austen series were being made.
In retrospect, I think that I've been given quite a few scripts over the years that had dark elements to them but most of them took place in the countryside with a haunted house. I think I've probably had that script about six to 10 times over the past few years. Or it was something to do with the supernatural.
The story I always recite - and have had to recite so many times over the years to different lawyers and different people within Universal - is that the business end of Mo'Wax was basically, like, 'Give us the big ones samples first, and we'll see how we get on.' And I gave them the six or seven that were, to me, the ones that were the scariest, and the biggest use. It wasn't about the big names, necessarily - although that played into it a bit, with people like Bjork and Metallica.
Duets is about six people, so it's like three different movies - three different duets. I was on the set 18 days, spread out over three and a half or four weeks.
Bowie mattered to me. He reinvented himself so many times - it must have been a daring statement to do that, risking failure. And hanging out with him and seeing him like that - he's my dad's age, born in the same month - when you find someone who's been through a really dark period, which most of his music I care about is from, Low, Lodger, "Heroes" era.... But he came out of it and made something that mattered.
I'm 67 years old now. I've had a lot of good teachers over the years; and they have been very, very different from one another. They all had passion for what they were doing, but their styles were unique to them as individuals.
I've always been intrigued with the male characters in novels like 'Pride and Prejudice' such as Mr. Darcy, and this poem is part of a series of poems that explore desire and obsessions. The poems have been sitting in a drawer for a few years, so I decided to dust them off and work on them again since I have not written a new poem in more than three years. I'm not sure anything will become of the series, but at least it gives me something to work on in a period where I feel very uncreative.
As a kid, I just was a contract player at MGM Studios. They put me into goodness knows how many different roles.Some of them were wonderful and some of them were very just distasteful and awful because I was playing out of my age range and I was thoroughly uncomfortable, let's put it that way. So it took me many years to find my acting feet.
Grease is one of the movies that made me want to be an entertainer, and I have literally been waiting my whole life to play Sandy. My siblings and I watched it and played it out over and over when we were kids. This is my dream role and performing it live on television will be one of the most thrilling opportunities I’ve had in my career so far.
When I was starting out, I didn't know what the hell I was doing and my person who was helping me out, I didn't even have an agent, got me five or six big auditions for leads in movies in 1986 that I had no business auditioning for. I think I ran out of three of them before I'd even finished.
The privilege I've had over 15 movies over a very long time has been to make movies that were ambitious or grown-up, complex, that had themes in them that were sometimes political, sometimes challenging, to make these movies on a scale.
When I came off the Halloween movies, they were very stressful movies to make. That had been four very stressful years. I'm happy with how they turned out, but getting the end results took so much fighting with people and so much craziness, that at the end of it I was so burnt out.
Starting out, iRobot was not an economic rocket ship. It took six and a half years before we had enough money in the bank at the beginning of each month to make payroll. We always made it - we paid salaries at the end of the month, and I always had four weeks to figure things out.
I had been acting since I was seven years old, but I had a combination of things happen at about the same time. 'Austin Powers' came out on DVD, I got a series regular gig on 'Buffy' and 'Can't Hardly Wait' came out.
In my own field, x-ray crystallography, we used to work out the structure of minerals by various dodges which we never bothered to write down, we just used them. Then Linus Pauling came along to the laboratory, saw what we were doing and wrote out what we now call Pauling's Rules. We had all been using Pauling's Rules for about three or four years before Pauling told us what the rules were.
Within a twelve or fourteen month period, I went through a divorce from my wife of 29 years, which is devastating emotionally and earthshaking as far as your whole world being turned upside-down. And within that same twelve month period, I left the Eagles.
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