A Quote by Kevin Spacey
I open myself up every time I walk on screen and give you everything that I am. There are parts of me that are in every movie that I've done. That to me is what my job is.
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Who what am I? My answer: I am the sum total of everything that went before me, of all I have been seen done, of everything done-to-me. I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I’ve gone which would not have happened if I had not come. Nor am I particularly exceptional in this matter; each "I", every one of the now-six-hundred-million-plus of us, contains a similar multitude. I repeat for the last time: to understand me, you’ll have to swallow the world.
Films are subjective - what you like, what you don't like. But the thing for me that is absolutely unifying is the idea that every time I go to the cinema and pay my money and sit down and watch a film go up on-screen, I want to feel that the people who made that film think it's the best movie in the world, that they poured everything into it and they really love it. Whether or not I agree with what they've done, I want that effort there - I want that sincerity. And when you don't feel it, that's the only time I feel like I'm wasting my time at the movies.
I am a collection of thoughts and memories and likes and dislikes. I am the things that have happened to me and the sum of everything I've ever done. I am the clothes I wear on my back. I am every place and every person and every object I have ever come across. I am a bag of bones stuck to a very large rock spinning a thousand miles an hour.
Every job I've done so far, every character has been completely different, and that's really important to me because I don't want to fall into a stereotypical box. Of course, every actor has their box, and you have to respect and play for it, but I do love challenging myself.
'Paranormal Activity' had fifty versions because it was $250 to reshoot. We'd screen it, see one thing wrong, shoot for an hour, fix it, and then screen it again. You don't have to be disciplined about it. On a regular movie, you have to screen it and think of every problem, reshoot for three days and solve every problem, and then you're done.
The reason everybody is so amazed and enamored with me right now is because I have worked every angle, I have worked every formula, I have worked every equation, I have seen every club, I have seen every performance, I have seen every joke, I have studied, I have done my job. That's why I'm good. It's not because I got up one night and decided I wanted to tell some f - -ing jokes.
I give myself pep talks. I have to tell myself how sexy I am - literally every day. I do. I look in the mirror and say, 'You are so sexy,' because everything else in my body is telling me, 'No, you're not.'
For a joint scientific and geographical piece of organization, give me Scott; for a winter journey, give me Wilson; for a dash to the Pole and nothing else, Amundsen; and if I am in the devil of a hole and want to get out of it, give me Shackleton every time.
How do I define who Usher is? I'm still doing it - every day, every new opportunity, every stage, every interview, every other thing that I've done, every time that I've invested in anything that is all the definition of who I am.
Let me just say that every cover of every magazine I've done has been airbrushed to death. No woman should walk around thinking that's what they should be. You shouldn't be beating yourself up.
You want me to come clean, I will. I'll tell you everything. Who I am and what I've done. Every last detail. I'll dig it all up, but you have to ask. You have to want it. You can see who I was, or you can see who I am now. I'm not good," he said, piercing me with eyes that absorbed all light but reflected none, "but I was worse.
In every movie, there's always some physical thing that triggers the character for me. In 'The Long Walk Home,' it was the girdle. Every time I'd put that girdle on, I'd feel my character wiggle to life.
I'm trying to do everything with my family members, my friends, who are watching me every day, every game I am playing, so they are trying to help me to say what I did wrong and what I did well, and I try to improve myself.
Every movie that comes to me is an opportunity for me to show that I can play varied parts.
I went to see the Terminator movie the other night. Every time Arnold Schwarzenegger came on the screen this guy in front of me went 'Booo! Booo!' and was throwing stuff. I had to say 'Governor Davis just shut up and sit down!'
The fascinating thing about standard economic stories is exactly that: they assume that everybody wants that kind of closure. That all human relations are forms of exchange, because if everything is an exchange then it's true that we're both equals. We walk up, I give you something, you give me something, and we walk away. Or I give you something, you don't give me something right now, and you owe me. So if we have any ongoing relationships at all, it's because somebody is in debt.
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