A Quote by Kevin Spacey
Over the years, I've been trying to build a relationship with an audience. I've tried to maintain as much of a low profile as I could so that those characters would emerge and their relationship with audiences would be protected.
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I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.
After my second marriage failed... I said, 'You know, could I have a relationship with a man? A loving relationship with a man that would involve intimacy?' For a while, before I did get into a relationship, I saw, for a few years, either women or men. And I found that I could be attracted to both.
I've enjoyed being a single person, particularly because I'm travelling a lot. It would be hard to maintain a relationship - so I've really not tried.
I would love to direct one day. I value the relationship that I have with a director so much, and I would be really excited to be on the other end of that relationship.
If you spend five minutes with your worst enemy - it doesn't have to be about race, it could be about anything... you will find that you both have something in common. As you build upon those commonalities, you're forming a relationship and as you build about that relationship, you're forming a friendship.
The relationship between the media owner, their relationship isn't strictly with people and audiences. It's also with advertisers, and that's the most relationship in radio; in fact it pays the bills.
In the '50s, audiences accepted a level of artifice that the audiences in 1966 would chuckle at. And the audiences of 1978 would chuckle at what the audience of 1966 said was okay, too. The trick is to try to be way ahead of that curve, so they're not chuckling at your movies 20 years down the line.
You know, we’re not on stage, we’re not doing a play, so we don’t have a relationship with the audience but going through that process and also just hearing how much people love the film, you feel like you do have a relationship with the audience.
You know, we're not on stage, we're not doing a play, so we don't have a relationship with the audience but going through that process and also just hearing how much people love the film, you feel like you do have a relationship with the audience.
Most artists are making as much money now as they could have made... in the heyday of Def Jam [when the] Beastie Boys would sell 10 million records or DMX would sell 6 or 7 million records. Those records are one thing, but then all the other ways to exploit the emotional relationship between artist and community is so much greater that I would guess that they're making as much or more money than they could have ever made.
For years, there was no man in the house when my husband was off on law cases in the Far East. Without writing, I would have been bored and unfaithful, maybe both, and the children would have been hideously over-protected.
I think what I'm good at is getting to know people and trying to build a relationship over a few weeks and trying to get to the truth.
The artist-muse relationship is romantic and passionate, and complex, and I would imagine that would be a hard relationship to have if you're not with the person. It requires so much of each other, you have to be in love with each other.
The movies I did before were movies with a lot of characters, a lot of locations, and low budgets, which meant that I was running all over the place and never had the chance to build a relationship with an actor. I was always having big, strong relationships with the cinematographers or editors or production designers, but not with the actors.
The medium of podcasting and the personal nature of it, the relationship you build with your listeners and the relationship they have with you - they could be just sitting there, chuckling and listening... there's nothing like that.
If we had 3 percent growth, which is what we're trying to get to, what we're at, by the way, right now, we're trying to maintain that 3 percent growth. If we had been at 3 percent growth over the last ten years, the budget very nearly would be balanced in 2017. That's how big a difference it makes when you grow the American economy that additional 1 percent over ten years.
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