A Quote by Kevin Spacey

Directing a film was something I was yearning to do. I always wanted to see if I had the capacity to be a good storyteller. — © Kevin Spacey
Directing a film was something I was yearning to do. I always wanted to see if I had the capacity to be a good storyteller.
Fundamentally, whether directing in the theatre or a film, you have to be a good storyteller, regardless of the form. The thing I had to work hardest at was thinking in shots.
Directing a film was something I always wanted to do, something that seemed an inevitability in my development as an actor.
Directing is something I always wanted to do. I started when I was 13 directing scenes in high school and then plays in college with my theatre company.
I see myself as a storyteller. So, when I read something, I see the story, and I see it on screen, in my head, in a certain way. I always want to see it and see me in it.
'Room' is a very subtly-made film, and directing awards tend to go to the flashier stuff, but it's the Director's section of the academy that make the decision, so I'm very proud they can see something in what I directed and wanted to reward it.
Very quickly I realized that directing is a combination of things: It's visual, it's directing the actors, it's telling a story. And people don't always mention this part of directing, but it's also knowing how to really edit something into something that makes sense.
Sidney Poitier was directing a film called 'Hanky Panky.' And he said, 'Do you want to come with me to New York to see Gilda Radner in 'Lunch Hour' on Broadway? I said, 'I don't need to see her, I love her. I've wanted to write something for her for a long time. So it's OK by me.'
The deal was we had to have people accompanying us and they would ask us not to film something [in North Korea]. For example, we wanted to film at a certain place and there happened to be a building under construction and it didn't look as fancy as the other buildings, so they wanted us to shoot where everything looked finished and made a good impression of the cityscape.
Riskin went into directing and made a film with Cary Grant which applied to the letter all the ideas which had made his comedies famous. It had everything except that little something - and the film was a failure.
The good thing about directing a screenplay that you've written is that you see the film in your head as you're writing it and then you see those decisions through to the end.
I would consider directing. I think directing myself would be tough, but I'm definitely interested in directing. I might start off directing a play before I move to a film.
I always put myself in the audience's place and see if, as a viewer, I would want to see the film. If yes, then I want to know who's directing it, what my character is, and if it's impactful. If all these points fall in place, I'll do the film. If not, then I won't think twice before saying no.
Directing was liberating and intimidating. It's something I've always wanted to do.
I've always loved films, and I always felt like a storyteller. I left Norway after high school and moved to Manhattan and went to film school in Manhattan. That's when I really found out that this was my calling and what I wanted to do.
Everybody gave 100%. I mean everyone, because they all knew that the film had the bones and the heartbeat of something that could be good. And everyone was in on it and wanted it for me and wanted it for Roger and Beau.
I knew I wanted to direct since I was a kid. That was something I was always fascinated by and wanted to experience and see if I would be any good at it.
This site uses cookies to ensure you get the best experience. More info...
Got it!