A Quote by Kevin Spacey

The next day I was in my school's production of All My Sons. This was the performance where I realized something was happening between me and the audience that I hadn't recognized before.
There is always a musical exchange happening between me and my sons.
There aren't a lot of entertainment-based mediums, the visual or recorded mediums, that empower the audience to go off the next day and create it themselves. You can't watch a movie or a show and the next day say, 'I want to make that.' You have to go to school.
To act out something or take chances in the performance is one thing. But in terms of a camera, whatever's captured is captured so that's a little more daunting. You know you can't go back next week and fix it. Whereas in a live audience you know it's so in the moment and you just go with what's happening. First of all you never have to see it again so you don't know if you were really fulfilling it or not.
When I was in school, in eighth grade, someone recognized something in me. She was an English teacher, and we read a play out loud in class, and she asked me to read one of the roles. I'd never done anything like that before, but something just lit up.
There's the false security of feeling a great force of love from your audience one day and then the next morning you wake up and you're exhausted, and that love is something you have to reach for the next day.
I think my parents wanted me to do something very normal, have a normal person job and not be confronted by the instability of an artistic pursuit, but there wasn't really a lot they could do to stop me. I was, at one point, going to go to law school when I finished high school, but the next day I got accepted into acting school and there was no real question in my mind of what I was going to do.
I consider each performance to be an intimate conversation between me and the audience members.
It still amazes me how many musicians aren't really interested in engaging with their audience at all. Alfred Brendel, a pianist for whom I have the greatest respect, has described performance as a sacred communion between the artist and the composer. But what about the audience? Music is communication, a two-way street.
The toughest parts of the shooting schedule for me are the days between working, when you've nothing to do but wait. There is only so much time you can spend on a script before it becomes so rehearsed that your performance becomes rigid and immovable on the day of, so one has to occupy one's time in some fashion. For me, those interim days are usually spent exercising, exploring, learning to cook something edible, and working on my own creative endeavors.
I think the scripts for 'Line of Duty' and 'Blood' are both asking the audience to get involved in speculating as to what is going to happen next, or what should be happening next.
I know this sounds terribly shallow, but I've been mapping out my outfits for the next day every day since I was little, even before high school.
There was but one question he left unasked, and it vibrated between his lines: if gross miscalculations of a person's value could occur on a baseball field, before a live audience of thirty thousand, and a television audience of millions more, what did that say about the measurement of performance in other lines of work? If professional baseball players could be over- or under valued, who couldn't?
Ever since my mother sent me to Saturday morning grammar classes when I was 7, I wanted to become a famous actor. I loved the idea of captivating an audience and moving them truly through performance, but more importantly being recognized and heavily lauded for that talent.
I guess more than anything, I just realized, okay, one day I had a home to live in and my family around me. The next day, I did not.
When we started Nowhere, maybe the fashion industry recognized something was happening, but they just thought, Oh, those kids . . . whatever. They didn't know what was actually going on with us. Now we are those people in a sense - the current establishment. So I hope there's something happening that is new and independent that we know nothing about.
Every day is a school day. I learn something new every day, and I never know what's going to happen next.
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