A Quote by Kevin Spacey

I've never done a movie that's shot more than 40 days because I just don't do those kinds of films. — © Kevin Spacey
I've never done a movie that's shot more than 40 days because I just don't do those kinds of films.
If you give him a 3-point shot, you might as well count it. I'd rather have Steph Curry beat me 14 points and 14 assists than let him get 40. Because his 40 is just so loud. And it's because of those 3s.
Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before.
When I first started working on movies as a production assistant, we were shooting 65, 75, 85 days. I mean, granted some of those things were "Godzilla," "Deep Impact," and those kinds of things, but these days it's like 30-35 days or 40-45 days and you just feel like you're humping trying to get everything done. It's like "Move on, move on, move on!" That's not the way to get the best performances or the most interesting shots. You have to constantly balance schedule and quality of work. For me, that's the biggest thing.
I was watching Monster's Ball, which is a fabulous movie. It's just a little gem: beautifully shot, and shot in a way I never would have done. It made me feel very old, really, because it wasn't eccentric for its own sake, it was just very original.
In war films, even more than in other kinds of documentary, we've come to think that shaky, poor-quality footage is somehow more authentic than something classically 'well shot.'
I just feel my body clock is different when it comes to making films than other directors. Being on set, and sweating, that feeling eases me more than actually when the movie's over; being on set, moving around, to me feels more relaxing than being done with the movie.
Ideally, I like to make my films within 30-40 days, because if it takes longer than that, everyone involved loses interest.
I have shot four films for sure. On most days, I wish that there were 48 hours in a day. When a movie is coming to an end and another is going to start, I've felt that I don't want to let go of this one just yet and say goodbye to the character nicely.
I must be honest and say that I was under the fascination of films. I was fascinated by all films, even the words of them. If I was to do a more-precise analysis of the situation, I have to admit that I was more entertained by the bad films than the good ones. Because when something is beautiful, it is there; it is finished; it is done. It doesn't have to be touched or be worked upon.
It is not like I want all my films to run for more than 100 days. But I can't stand it when my movie is criticized.
In a couple of days, it will be 40 days, 40 hours, 40 years in the desert - 40 is fraught with meaning and symbolism.
I have never had any hero in my life or in photography. I just travel, I look and everything influences me. Everything influences me. I am quite different now than I was 40 years ago. For 40 years I have been traveling. I never stay in one country more than three months. Why? Because I was interested in seeing, and if I stay longer I become blind.
Nevermore," Lolli said. "That's what Luis calls it, because there are three rules: Never more than once a day, never more than a pinch at a time, and never more than two days in a row.
I just shot my first dramatic movie in France, and for those dramatic scenes that I shot, I would not want to look at those. There's a certain mindset you have to put yourself into for those scenes, and looking at the monitor would just take you out of it.
I haven't written for a few days, because I wanted first of all to think about my diary. It's an odd idea for someone like me to keep a diary; not only because I have never done so before, but because it seems to me that neither I-nor for that matter anyone else-will be interested in the unbosomings of a thirteen -year -old schoolgirl. Still, what does that matter? I want to write, but more than that, I want to bring out all kinds of things that lie buried deep in my heart.
I think because I've maintained my residence in New York, those kinds of films have been more accessible.
This site uses cookies to ensure you get the best experience. More info...
Got it!