A Quote by Kevin Spacey
It's the details and the human element that makes 'Recount' entertaining. Even though we know how the election ends, it plays like a thriller. It's also funny.
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Its the details and the human element that makes Recount entertaining. Even though we know how the election ends, it plays like a thriller. Its also funny.
The detail adds an element of unexpected something. All fiction is false; what makes it convincing is that it runs alongside the truth. The real world has lots of incidental details, so a painting also has to have that element of imperfection and irregularity, those incidental details.
I like entertaining people. I like being on stage. I like being in the life. This is what I do. This is the only thing I know how to do besides rob people and fight. Even when I was robbing people, I was entertaining them. But that's just what I love doing.
Election campaigns always have to have colour and excitement and interest. People want to know about the details of politicians, what they like doing in their spare time, about their families. I think that's human.
It's funny how the world works, how we win and lose, how we can never really know what's ahead though we never stop planning. How we survive and move on. There's a sadness that comes with survival, but also more joy to be had.
It's really irritating. Even people who like my work sometimes come up to me and say, 'I usually don't like female comedians, but your material is great!' It makes the job prospect more daunting. Funny is funny, you know?
Its really irritating. Even people who like my work sometimes come up to me and say, I usually dont like female comedians, but your material is great! It makes the job prospect more daunting. Funny is funny, you know?
Even though we still don't know any precise details, we're already making it clear that some proposals like a border tax or "buy-American" regulations are heading in a protectionist direction. The Americans' sudden proposal to classify certain steel products as national security-related is also something that we find highly problematic.
Behind all art is an element of desire...Love of life, of existence, love of another human being, love of human beings is in some way behind all art — even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?
I think the most important thing journalism taught me is to mine for details. The details are key. You can't try to be funny or strange or poignant; you have to let the details be funny or strange or poignant for you.
One interesting thing - I play bass and guitar and stuff like that. I know those instruments really well. But I don't know how to play clarinet or trombone or any of these other instruments. I don't actually know how to play ukulele even though I've played it a lot in the past. Because of the weird tuning it's not exactly like a guitar. That's one of the reasons I like that instrument - it makes for surprises. It's not so predictable as the bass or the guitar is for me.
I am generalizing, of course, but in hip-hop, it's like you get this shine for using the word "pussy" a billion times, and I think that that's weirdly healthier than not doing it at all - even though I really hope it ends soon because, you know, how many decades can we do that?
Like I always say, it's not how many great plays you make; it's how few bad ones you make. I know fans, and even some losing coaches, are enamored with long pass completions or the great run plays, but that doesn't offset the interception or the fumble.
The funny thing about commercials to me is that many of them now don't even mention the product until the very end. You don't really know what the commercial is all about. They're kind of like little movies, like shorts, and that's why I think they're so entertaining.
Like an explorer returned from a distant planet or another dimension, Suki Kim has many extraordinary tales to tell, among them how different--and how awful--life is for those who live in North Korea. The devil is in the details here, for her gritty narrative focuses on everyday events to reveal how repression shapes daily life, even for the most privileged. Yet Kim also bears witness to that part of the human soul that no oppressor can ever claim.
One thing it makes me realize is just how similar we all are, around the globe. The details may be different, but every human heart is touched by themes like hope, comfort and mercy.
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